Showing 1 - 20 results of 23 for search '"Prado Museum"', query time: 0.25s Refine Results
  1. 1

    PRADO MUSEUM - SUCCESSFUL MODEL FOR RAISING COMPETITIVENESS IN THE ROMANIAN CULTURAL ORGANIZATIONS IN THE CONTEXT OF URBAN DEVELOPMENT by Răzvan-Andrei CORBOȘ, Ruxandra-Irina POPESCU

    Published 2012-01-01
    “…The experience of Prado Museum, one of the emblems of Madrid, falls in this direction. …”
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    From Velázquez to Picasso: Proposal of Artistic Mediation Activities for People with Dementia by Manuel Hernández Belver, Clara Hernández

    Published 2019-02-01
    “…This paper describes the design of a program of activities of arts education for people with dementia based on visits to the Prado Museum and the Reina Sofia National Art Center Museum (Spanish anagram, MNCARS) of Madrid, and carried out by a team of researchers and artist-teachers. …”
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    Ipotesi per una contestualizzazione dell’Hypnos del Prado by Graziella Becatti

    Published 2016-11-01
    “…Until the nineteenth century, the statue of Hypnos held by the Prado Museum was thought to represent the Roman god Mercury. …”
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    Los retratos de Tapiró del Museo del Prado by Jorge A. Carbonell

    Published 2013-11-01
    “…The Prado Museum has two outstanding portraits painted at the end of the nineteenth century by one of the best-known watercolourists of his time, José Tapiró. …”
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    El final del proyecto constructivo e iconográfico de la iglesia de la Victoria de Málaga. Las vidrieras de Maumejean, 1971 by José Miguel Morales Folguera, Julio Antonio Morales Folguera

    “…The stained-glass windows in the Camarín of the sanctuary of the patron saint of the city of Malaga, one of the most important works of the Spanish Baroque, were made assuming a neo-baroque aesthetic, which copies pictures from the Prado Museum, two of which are deposited in the Malaga Museum. …”
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    La España "cóncava" de Ramón Gaya by Elena Trapanese

    Published 2016-12-01
    “…It’s to his facet as a writer that we dedicate special attention: his texts on Cervantes and don Quijote, on Galdós, on Velázquez, and the Prado Museum, etc., offer us a faithful portrait, yet not because of that submissive, of the Spain that he and many other Republicans wanted to save from the tragic consequences of the Civil War and that they tried to safeguard through memory and art. …”
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    Una nuova attribuzione per il Piedistallo Cybo by Alessandra Migliorato

    Published 2013-11-01
    “…The Cybo Pedestal in the Prado Museum was commissioned by Alberico Cybo Malaspina (1532/34-1623); it has always been interpreted in relation to the ancient sculpture that surmounts it, the so-called Apotheosis of Claudius, restored by the Roman sculptor Orfeo Boselli and oɱ ered as a gift to Philip IV in 1665 by Cardinal Girolamo Colonna. …”
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    Une histoire d’intimité cachée : Sofonisba Anguissola portraitiste et dama de compañía (1559-1573) à la cour de Philippe II d’Espagne by Elena Taddia

    Published 2020-10-01
    “…A gallery of portraits gathered in a quiet room of the Prado Museum in Madrid, is enquiring us about the intimate relation between the Italian artist and its models inside the royal family during her stay in Spain, which will end in 1573. …”
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    La visione filosofica di María Zambrano ‘dentro e fuori’ l’immagine pittorica [María Zambrano's philosophical vision 'inside and outside' the pictorial image] by Lucia Parente

    Published 2019-04-01
    “…The starting point is provided by María Zambrano’s persuasive and fascinating words in A Visit to the Prado Museum, where she becomes the narrative voice of her dialogue with her young friend Ulises.…”
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    Las Santas Faces y las Verónicas del Greco by Philippe Merlo-Morat

    Published 2021-10-01
    “…This study focuses on the trompe l'oeil technique in five works: Santa Faz in Santo Domingo el Antiguo, 1577-1579; La Santa Faz (El velo de la Verónica) of New York, 1577-1579; La Santa Faz, 1586-1595 from the Prado Museum; Santa Verónica, 1556-1579 (c. 1580) from the Santa Cruz Museum; La Santa Faz or El velo de Verónica, 1608-1614, from Buenos Aires.…”
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    "History of art" by Ernst Gombrich" (en inglés) by Antón Capitel

    Published 2012-12-01
    “…In this way not only does the lack of presence of Spanish art in general come under particular criticism, but most of all the feeble  representation of the Spanish collection of the Prado museum, the finest gallery in the world. Under scrutiny also come the  unwise choice of several examples and the overabundance of British and Dutch art of a minor character. …”
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    Veronés y Ovidio : Procris, Céfalo y la Brisa by Víctor Nieto Alcaide

    Published 2003-01-01
    “…</p><p>The picture venus and Adonis, painted by Veronése (Madrid. Prado Museum) was a companion to the one with Tlie Death of Procris (Strasbourg. …”
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    "Such pushing and shoving… and the smell! Why ever would they allow these people in to the Academy” sociability and body language of Madrid's museums visitors (19th century) by Ainhoa Gilarranz-Ibáñez

    Published 2024-10-01
    “… In 1828 preparations were being made for the opening of the first public museum in Spain: the Royal Prado Museum. Along with the placement of the works of art and the control of their security, visitors were an essential part of the organisation of the establishment. …”
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    Técnico Auxiliar en Entornos Culturales: una apuesta por la formación inclusiva en Museos y Centros de Arte en España by María Jesús Martínez Silvente

    Published 2022-11-01
    “…In carrying out this project, the Educational and Accessibility Departments of the most important cultural spaces in Spain collaborate, the Prado Museum (Madrid), the Lázaro Galdiano Museum (Madrid), the Reina Sofía National Art Center Museum (Madrid), the Museo Thyssen-Bornemisza (Madrid), Museum of Contemporary Art of Barcelona (MACBA), Botín Center (Santander), Lugo Museum Network, Contemporary Art Center (Málaga), Picasso Museum Málaga, Center G. …”
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    Sobre un busto de los almacenes del Museo del Prado. ¿Original adrianeo o creación renacentista? by DAVID OJEDA

    Published 2023-11-01
    “…The bust E-143 of the Prado Museum has been classified as a Renaissance work, without definitive arguments to support this hypothesis. …”
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