Mama shop by Leong, Elysa, Giam, Zoey Weng-Ye, Chia, Jeline Sin Ning, Chin, Vanessa Sze Hui

“…Through this paper, we will be sharing the process of how Mama Shop was conceptualised, and the pre-production process carried out before principal photography. Principal photography took place over the course of four days. …”
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Two Weeks in July: a cinematographer's journey of filming in Malaysia by Muhammad Bin Abdul Rashid

“…I will be breaking down the production process in three main parts (pre-production, principal photography and post-production). My contribution in this cross-border production between Malaysia and Singapore will be elaborated through positive outcomes and reflections for future productions. …”
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Academy color encoding system (ACES) in the era of digital cinematography: A review on the implementation in polis evo two by Tan Teck Zee, M Fazmi Hisham

“…Polis Evo Two (2018) was the first Malaysian film to use ACES from principal photography to Digital Cinema Package (DCP). This article would take the reader through the process taken by the researcher/cinematographer. …”
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From digital visual effects to emerging in-camera visual effects: investigating the change of workflow, occupational roles and common challenges in Southeast Asian and East Asian c... by Zhang, Tianyi

“…The workflow begins with film pre-production methods and progresses through two phases of game engine-oriented creation, followed by two LED wall-related review and rehearsal phases before principal photography. As a result, the demand for match-move and roto departments, prevalent in green screen VFX production, is significantly reduced. …”
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