Holyoake's Drumbeat Program: Music as a Tool for Social Learning and Improved Educational Outcomes by Simon Faulkner, Penny Ivery, Lisa Wood, Robert Donovan

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Branches by Dalibor Davidović

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Escucha creativa a través de la música programática. Una propuesta para fomentar la creatividad. Creative listening through program music. A proposal to develop creativity skills by Óliver Curbelo González

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INTERSECTIONS OF ARTS. STRUCTURAL AND LANGUAGE ANALOGIES by Stelian IONAȘCU

Subjects: “…art, colour, musical form, icon, timbre, rhythm, compositional structure, poetry of music, programming music.…”
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Reception of Czech and Latvian music by German music critics in Riga in the late 19th and early 20th centuries : some comparative aspects by Baiba Jaunslaviete

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A Robust Indicator Mean-Based Method for Estimating Generalizability Theory Absolute Error and Related Dependability Indices within Structural Equation Modeling Frameworks by Hyeryung Lee, Walter P. Vispoel

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Use of Complementary and Integrative Methods in the Management of Postoperative Pain: A Narrative Literature Review by Gülcan Dürüst Sakallı, Öykü Kara

“…The use of complementary and integrative methods (massage, neuro-linguistic programming, music therapy, laughter therapy, virtual reality distraction, progressive relaxation exercises, hydrotherapy, reiki, reflexology, hot–cold compress, transcutaneous electrical nerve stimulation, acupressure, and aromatherapy) in the management of postoperative pain provides rapid recovery and discharge time, a decrease in the need for analgesics and the frequency and amount of opioid use, and an increase in patient satisfaction, well-being, pain control quality, and quality of life by reducing the patient’s pain. …”
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Muzak, Lo-Fi, and Acoustic Violence by Nic Vigilante

“…By attending to this genealogy, it is possible to take tools of cultural critique developed for programmed music and lo-fi and turn them towards acoustic violence. …”
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Musical Meaning for the Few: Instances of Private Reception in the Music of Brahms by Dillon R. Parmer

“…What emerges in this compromise is a hitherto unacknowledged species of music that exists simultaneously in two contrary ways: as program music for those to whom Brahms stipulated suggestive titles, poetic mottoes, or actual literary texts; as “abstract” or “absolute” music for everyone else.…”
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Semiotic Dimension Deconstruction in the First Movement of "Spring" by Vivaldi by Maula Waytisi Kirana, Andrea Alberthiene, Fabiola Carissa Rusdi

“…Through increasing human creativity, this media for expression comes in many types, one of which is program music, whose compositional construction is based on the composer's imagination to describe a character, atmosphere, or an event. …”
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Scene and character: interdisciplinary analysis of musical and sound symbols for higher education by Josep Gustems Carnicer, Diego Calderón Garrido, Caterina Calderón Garrido

“…The aim of this paper is to analyze interdisciplinary and educationally the descriptive aspects of the characters in literature in the world of music (opera, ballet, musical theater, program music, audiovisual, etc.) through a wide range of resources and creative processes in various skills that include or encompass the sound. …”
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Psychosocial Rehabilitation Programs Applied to Patients with Schizophrenia by Psychiatric Nurses: Systematic Review by Mahinur Betül Çalışkan, Elvan Emine Ata, Gül Dikeç

“…In published studies, psychosocial rehabilitation programs which applied by psychiatric nurses to patients with schizophrenia; it was determined that there were trainings aimed at improving emotional expression, information technology programs including emotional recognition, psychoeducation programs after discharge, Auditory Hallucinatory symptom management program, music therapy and home visits. Also in the studies; with these psychosocial rehabilitation programs, it was determined that patients had many positive effects such as increase in social-cognitive functionality, quality of life and adherence, decrease in hospital stay and relapse, coping with Auditory Hallucinations, and improvement in emotional recognition. …”
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Music Smashed to Pieces: The Destructive Logic of Berlioz’s Roméo au tombeau by Stephen Rodgers

“…Berlioz’s Romeo au tombeau des Capulets, the sixth movement of his symphony Romeo et Juliette, is arguably his most controversial programmatic work and one of the most baffling pieces of program music in the repertoire. When the symphony premiered in 1839, Berlioz’s instrumental setting of the tomb scene from Shakespeare’s play (with David Garrick’s ending, in which Juliet wakes before Romeo dies) was criticized for being incoherent because it had no conventional formal scheme, used avant-garde musical language, and boasted drastic shifts in style and mood. …”
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Penggunaan Komputer Dalam Penulisan Notasi Muzik Di Kalangan Guru Pelatih Dari Institut Perguruan Sultan Ldris, Tanjung Malim, Perak by Abdullah, Mohd Hassan

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Deciphering Flavio Pereira’s Reading of Dostoevsky after the The House of the Dead by Nadia Nedialkova, Bojin Nedialkov, Flávio Santos Pereira

“…The work can be classified as program music, as it employs characteristics of expressionist and impressionist styles mixed with free improvisatory polyphonic techniques. …”
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Popular Music as Entertainment Communication: How Perceived Semantic Expression Explains Liking of Previously Unknown Music by Steffen Lepa, Jochen Steffens, Martin Herzog, Hauke Egermann

“…Prior works explained liking for specific music titles in ‘push scenarios’ (radio programs, music recommendation, curated playlists) by either drawing on personal genre preferences, or on findings about ‘cognitive side effects’ leading to a preference drift towards familiar and society-wide popular tracks. …”
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KEBIJAKAN PENYIARAN DAN KEBEBASAN INFORMASI DI ACEH (Analisis Isi Rancangan Qanun tentang Program dan Isi Lembaga Penyiaran Di Aceh) by , maini sartika, , Dr. Phil. Ana Nadhya Abrar, M.E.S.

“…In this article stated that, "Broadcast content in the form of movies, soap operas, commercials, comedy programs, music programs, video clips, program feature / documentary and science in domestic, foreign and local non-live broadcast before the broadcast by the broadcasters must obtain sensors pass mark ". …”

MUSICALITY OF A LITERARY WORK AND TRANSLATION ISSUE by Liubov I. Semerenko, Olexander O. Pliushchai

“…Three types of interaction of literature and music has been distinguished by Stephen Paul Scher, namely, literature in music (so-called program music, music plus literature, any vocal music) and music and literature. …”
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