Sheridan “arreglado” para la escena española: La escuela de la murmuración, de Rafael Galves Amandi (1861) by Purificación Ribes Traver

“…La comedia más notable de Richard Brinsley Sheridan, The School for Scandal, se estrenó en Londres en 1777 y, debido a su enorme popularidad, se editó, representó y tradujo a diferentes lenguas a lo largo del siglo XIX. …”
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Les Fiançailles au couvent : Prokofiev adapte La Duègne de Sheridan by Tetiana Zolozova

“…Prokofiev’s musical production is heavily indebted to his encounter with Britain’s literary heritage, with such important works as his ballet Romeo and Juliet after Shakespeare and his four-act opera buffa Betrothal in a Monastery after Richard Brinsley Sheridan’s The Duenna or The Double Elopement. …”
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The Irish Theme in the Writings of Bill Naughton by David Pierce

“…It has been the historic role of Irish writers from Richard Brinsley Sheridan to Oscar Wilde, from Elizabeth Bowen to William Trevor, to give the English back to themselves in a gallery of portraits. …”
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The “Hibernicising” of George Farquhar’s Plays after Irish Independence by DAVID CLARE

“…Farquhar is, of course, not the only playwright from the distinguished line of England-based, Irish Anglican dramatists to have had his England-set works “Hibernicised” in this way; works by Oliver Goldsmith, Richard Brinsley Sheridan, Oscar Wilde, and Bernard Shaw have all suffered a similar fate in the Irish Free State and Irish Republic since 1922. …”
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