RICHARD STRAUSS’ FOREWORDS TO INTERMEZZO by Bence ASZTALOS

“… The study centres on the instruction of the two Forewords written by Richard Strauss to his opera Intermezzo to achieve perfect text understanding. …”
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Richard Strauss, Rembrandt & het Rijksmuseum by Ronald de Leeuw

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Aspects of Richard Strauss's late aesthetic by Tan, EXX

“…<p>This study of Richard Strauss’s late aesthetic develops the following general theses: 1. …”

A form of hope in Richard Strauss's Metamorphosen by Tan, EXX

“…Richard Strauss's Metamorphosen was composed in the final months of the Second World War and is often described as the composer's personal elegy for the decline of Western culture. …”

The roots of 'Daphne' (Quellenforschung on Richard Strauss's version of Daphne myth) by Lightfoot, J

Salome, an Obsessive Compulsive Myth, from Oscar Wilde to Richard Strauss by Jacques Coulardeau

“…That also leads to an end that looks like some form of expiatory justice. Richard Strauss amplifies the text and the subject with his music and his German libretto.…”
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Verschollene, verborgene und verstörende Spuren Mozarts im Schaffen von Richard Strauss by Leitmeir, C

Le silence et le cri : Salomé, d’Oscar­­ Wilde à Richard Strauss by Pascal Aquien

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Daughter of Eve, "Femme Fatale", and Persecuted Artist: The Mythic Transgressive Woman in Oscar Wilde's and Richard Strauss's "Salome" by Corinne E Blackmer

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Creative Search by Richard Strauss and Hugo von Hofmannsthal in the Opera “Ariadne on Naxos”: to the Problem of Music and Words Interaction by Tatiana A. Sharypina, Polina D. Kazakova

“…The subject of the article is the problem of the synthesis of arts in the creative collaboration of Hugo von Hofmannsthal and Richard Strauss. А special turn of the problem «music and word» is analyzed, when a musical performance arises in close cooperation between a composer, who is responsible for correcting the text and a writer dealing with the musical palette of their common creation. …”
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Bailando con Dioniso: el mito de Leucipo y Daphne de Richard Strauss y Joseph Gregor by Manuel Antonio Díaz Gito

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De niña a laurel (o de cómo convertirse en árbol): "Daphne" de Richard Strauss y Joseph Gregor by Manuel Antonio Díaz Gito

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Penser avec Salomé. Variantes d’un symbole, du mythe à l’opéra by Patrice Maniglier

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Richard Strauss, Stefan Zweig, Joseph Gregor and the Story of the <i>Celestina</i> Opera that Almost was, with a Bibliographical Appendix of <i>Celestina</i> Operas in the Twentieth Century by Joseph T. Snow, Arno Gimber

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MARIA CEBOTARI AT THE SALZBURG FESTIVALS by PILIPEȚCHI SERGHEI

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Breit über mein Haupt dein schwarzes Haar. Vier auktoriale Versionen von Richard Strauss’ Schack-Vertonung op. 19/2, betrachtet unter performativem Aspekt by Kilian Sprau

“…Das Lied Breit über mein Haupt dein schwarzes Haar von Richard Strauss liegt in zwei schriftlichen Fassungen vor: der als op. 19/2 publizierten Erstfassung (1888) und der jüngst edierten Zweitfassung von 1944. …”
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M. CEBOTARI — PERFORMER OF THE MAIN FEMALE ROLE IN R. STRAUSS` LAST OPERA CAPRICCIO by Pilipețchii Serghei

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Die intermediale Differenz-Form-des-Dazwischen im (spät)romantischen Lied am Beispiel von Traum durch die Dämmerung – Vítězslav Nováks "musikalische Polemik" by Petr Pytlík

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La musica nel secolo delle masse (Musica e società) by Carlo Sini

Subjects: “…musica, masse, music, masses, Alex Ross, The Rest Is Noise: Listening to the Twentieth Century, Richard Strauss, Salome, Mahler…”
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Ena kašlja, druga pleše: Freud, Strauss in sprevrženost sodobnega življenja by Lawrence Kramer

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