RICHARD STRAUSS’ FOREWORDS TO INTERMEZZO by Bence ASZTALOS

“… The study centres on the instruction of the two Forewords written by Richard Strauss to his opera Intermezzo to achieve perfect text understanding. …”
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Richard Strauss, Rembrandt & het Rijksmuseum by Ronald de Leeuw

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Aspects of Richard Strauss's late aesthetic by Tan, EXX

“…<p>This study of Richard Strauss’s late aesthetic develops the following general theses: 1. …”

A form of hope in Richard Strauss's Metamorphosen by Tan, EXX

“…Richard Strauss's Metamorphosen was composed in the final months of the Second World War and is often described as the composer's personal elegy for the decline of Western culture. …”

The roots of 'Daphne' (Quellenforschung on Richard Strauss's version of Daphne myth) by Lightfoot, J

Verschollene, verborgene und verstörende Spuren Mozarts im Schaffen von Richard Strauss by Leitmeir, C

Daughter of Eve, "Femme Fatale", and Persecuted Artist: The Mythic Transgressive Woman in Oscar Wilde's and Richard Strauss's "Salome" by Corinne E Blackmer

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Creative Search by Richard Strauss and Hugo von Hofmannsthal in the Opera “Ariadne on Naxos”: to the Problem of Music and Words Interaction by Tatiana A. Sharypina, Polina D. Kazakova

“…The subject of the article is the problem of the synthesis of arts in the creative collaboration of Hugo von Hofmannsthal and Richard Strauss. А special turn of the problem «music and word» is analyzed, when a musical performance arises in close cooperation between a composer, who is responsible for correcting the text and a writer dealing with the musical palette of their common creation. …”
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Bailando con Dioniso: el mito de Leucipo y Daphne de Richard Strauss y Joseph Gregor by Manuel Antonio Díaz Gito

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Richard Strauss, Stefan Zweig, Joseph Gregor and the Story of the <i>Celestina</i> Opera that Almost was, with a Bibliographical Appendix of <i>Celestina</i> Operas in the Twentieth Century by Joseph T. Snow, Arno Gimber

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M. CEBOTARI — PERFORMER OF THE MAIN FEMALE ROLE IN R. STRAUSS` LAST OPERA CAPRICCIO by Pilipețchii Serghei

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Die intermediale Differenz-Form-des-Dazwischen im (spät)romantischen Lied am Beispiel von Traum durch die Dämmerung – Vítězslav Nováks "musikalische Polemik" by Petr Pytlík

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Ena kašlja, druga pleše: Freud, Strauss in sprevrženost sodobnega življenja by Lawrence Kramer

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Zwischen Schopenhauer und Freud. Ernst Kurths Musiktheorie als hermeneutisches Potenzial by Wolfgang Krebs

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Rectal Cancer Presenting with Absceding Infection Due to <i>Fusobacterium nucleatum</i> by Sebastian Zundler, Christian Mardin, Simone Bertz, Francesco Vitali, Richard Strauß, Julia Fürst, Markus F. Neurath, Deike Strobel

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Biomimetic Magnetic Particles for the Removal of Gram-Positive Bacteria and Lipoteichoic Acid by Bernhard Friedrich, Julia Eichermüller, Christian Bogdan, Sarah Cunningham, Holger Hackstein, Richard Strauß, Christoph Alexiou, Stefan Lyer, Rainer Tietze

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data to estimate clinical remission in pediatric inflammatory bowel disease by Nanhua Zhang, Chunyan Liu, Steven J Steiner, Richard B Colletti, Robert Baldassano, Shiran Chen, Stanley Cohen, Michael D Kappelman, Shehzad Saeed, Laurie S Conklin, Richard Strauss, Sheri Volger, Eileen King, Kim Hung Lo

Convalescent plasma treatment for SARS-CoV-2 infected high-risk patients: a matched pair analysis to the LEOSS cohort by Noemi F. Freise, Smaranda Gliga, Johannes Fischer, Nadine Lübke, Matthias Lutterbeck, Miriam Schöler, Edwin Bölke, Hans Martin Orth, Torsten Feldt, Christoph Roemmele, Dominik Wilke, Jochen Schneider, Kai Wille, Christian Hohmann, Richard Strauss, Martin Hower, Andreas Ruf, Joerg Schubert, Nora Isberner, Melanie Stecher, Lisa Pilgram, Jörg J. Vehreschild, LEOSS Study Group, Frank Hanses, Tom Luedde, Björn Jensen

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Ambivalence and adherence to preventive measures during the COVID-19 pandemic: Data from the U.S. and Germany by Celine Frank, Angela R. Dorrough, Iris K. Schneider

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Music as a Component of Biographic Text by Svitlana Macenka

“…Biographers of both Mozart and Beethoven are convinced of the efficiency of the biographical method in relation to musical analysis. Richard Strauss’s musical-biographical text is also structured according to the logic of musical thinking. …”
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