The Whaleness of the Whale: Interspecies Relationality in Moby-Dick and In The Heart of the Sea by Svetlana Seibel

“…Yet, Melville’s novel raises the question of the personhood of the whale time and time again, and this issue comes into even starker relief when considered as part of the narrative matrix formed by Melville’s Moby-Dick, Owen Chase’s narrative of the sinking of the whaleship Essex in 1820, and Ron Howard’s 2015 feature film In the Heart of the Sea. …”
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Script to Screen: Refining the Sense of Screenwriting and Directorial Cinema in Adapting The Da Vinci Code by Caleb Theodar, Saranya P

“… This research mainly explores the connection between Dan Brown’s The Da Vinci Code, with the filmmaker’s cinematic depiction of literature. Ron Howard as an adaptation director in the Hollywood industry is evaluated in the context of his auteurism and examined his approach of repudiating a substantial portion of the Catholic secrets which dodged the predicament of fidelity, a core of conventional Film Adaptation. …”
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Vom Ausbleiben des Aufstiegs und der Krise als Dauer: Szenen sozialer Im/Mobilität im postmeritokratischen Kino der Gegenwart by Andrea Seier, Stephan Trinkaus

“…Nicht nur die Inhalte der Filme, sondern auch die formale Gestaltung weisen ein Spannungsverhältnis zwischen linearen, narrativen Verläufen und szenischen Gefügen auf, das wir anhand der Filme Parasite (Südkorea 2019, Regie: Bong Joon-ho,), Hillbilly Elegy (USA 2020, Regie: Ron Howard) und Jetzt oder Morgen? (Österreich 2020, Regie: Lisa Weber) untersuchen. …”
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Waitin' on the Ghost of Tom Joad: The Neoliberal Reconstruction of the Great Depression Years in Cinderella Man by Fabián Orán Llarena

“… This paper intends to examine the political rationality of neoliberalism through the Depression Era film Cinderella Man (Ron Howard, 2005). While neoliberalism has been widely mapped out, critiqued, and debated in a host of academic disciplines, the myriad forms American film has articulated, represented, and integrated neoliberal narratives remains a largely understudied issue within the field of cultural studies. …”
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O Código Da Vinci e o encontro entre Matemática, História e Arte by Felipe Freitas Paulino, Francisco Wilton Moreira dos Santos, Joao Luzeilton de Oliveira

“…Para tanto, vamos nos apoiar na obra literária e no filme homônimo dirigido por Ron Howard, além de conhecimentos sobre a Razão Áurea. …”
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El cine satírico de periodistas. Personajes y relato de los mass media por la industria de Hollywood (1970-2020) by Patricia Gascón Vera, Joseba Bonaut Iriarte

“…Brooks, 1987), The Paper (Ron Howard, 1994), Chicago (Rob Marshall, 2002), Morning Glory (Roger Michell, 2010) y Don't Look Up (Adam McKay, 2021)-, basado en las teorías del humor y la teoría de la agenda setting. …”
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