“For What Purposes are they Suffering and for What are they Living”. Again on the Teleological Paradigm of Chekhov’s World by Aleksey D. Semkin

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FILM EDITING AS A SYSTEM: FROM THEORY TO REAL PRACTICE by KAMINSKI ANDREI

“…Such way of viewing film editing laid the foundation of the study program for the discipline “Theory and Practice of Film Editing” in the Russian State Institute of Performing Arts and, in the last five years, it has been producing positive results in the students’ practical assimilation of the editing language.…”
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Pinocchio of the Red Decade: On Stage and on Screen by Yulia A. Kleiman

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Island of Totalitarinism: Macbeth by Orson Welles by Yulia A. Kleiman

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V.N. Chuvakov. My Meetings and Correspondence with Elena Aleksandrovna Polevitskaya (1958–1968) by Elena V. Bulysheva

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L.N. Tolstoy's Principle of “Non-Resistance to Evil by Violence” in the Context of Russian Religious Philosophy of the Late XIX - Early XX Century by I. I. Evlampiev, I. Yu. Matveeva

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