Architecture and the Russian avant-garde [videorecording] by Craig, Michael, ca. 1956-

“…"Architecture and the Russian avant-garde" premiered at the International Festival of Cinema and Technology in Toronto where it was nominated for best documentary film. …”

Meyerhold, theatre and the Russian avant-garde [videorecording] / by Craig, Michael, Rowsey, William, Copernicus Films

Alexander Rodchenko and the Russian avant-garde [videorecording] / by Craig, Michael, Pease, William, Copernicus Films

“…In the early 1920s Alexander Rodchenko the Russian avant-garde artist, abandoned painting in favour of photography believing it to be the best way of exploring the new visual frontiers which were emerging at that time…”

Russian avant-garde : theories of art, architecture and the city / by 436556 Cooke, Catherine

Anticipations of the Ideas of Contemporary Architecture in the Russian Avant-Garde by Adamov Oleg

“…Leading contemporary architects stated their adherence to the ideas of the Russian Avant-garde that could be “injected” into the Western cultural background and might regenerate or revitalize it. …”
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The Russian Avant-Garde and the System of Archetypes. Demonstration Experience by Sipovskaya Natalia V.

Subjects: “…russian avant-garde…”
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The Idea of the “Creative Form” in the Aesthetics of the Russian Avant-garde of the 1920s by Ustyugova Elena N.

“…The Russian avant-garde of the 1920s was a time of a utopian thinking crisis in theoretical aesthetics and in art. …”
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['Phenomenon of the Russian Avant-garde. Moscow Architectural School of the 1920s'] by Elena Ovsyannikova, Vladimir Shukhov

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['Phenomenon of the Russian Avant-garde. Moscow Architectural School of the 1920s'] by Elena Ovsyannikova, Vladimir Shukhov

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Visual and Verbal Self-Referentiality in Russian Avant-Garde Picturebooks by Sara Pankenier Weld

“…This article examines visual and verbal self-referentiality in Russian avant-garde picturebooks along aesthetic, educational, and political axes, focusing first on avant-garde self-referentiality evident in works by Vladimir Mayakovsky and Daniil Kharms that typify the avant-garde movement and then turning to picturebook self-referentiality exemplified in works by Samuil Marshak and Ilya Ionov, which reflect increasing consciousness of the picturebook as genre. …”
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Architecture of Russian Avant-Garde and Japanese Metabolism: Parallels of Forms and Meanings by Nina Konovalova

Subjects: “…architecture of russian avant-garde; japanese metabolism; shaping in architecture; architecture of the xx century…”
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Architecture of Russian Avant-Garde and Japanese Metabolism: Parallels of Forms and Meanings by Nina Konovalova

Subjects: “…architecture of Russian avant-garde; Japanese metabolism; shaping in architecture; architecture of the XX century…”
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POET AGAINST THE BACKGROUND OF SOCIETY IN THE AESTHETIC PROJECT OF THE RUSSIAN AVANT-GARDE

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Vsevolod Meyerhold : modernism, mass culture and the Russian avante garde stage by Holmes, Jeffrey, M.S. Massachusetts Institute of Technology

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Sara Pankenier Weld, Voiceless Vanguard: The Infantilist Aesthetics of the Russian Avant-Garde by Birgitte Beck Pristed

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RUSSIAN AVANT-GARDE MUSIC OF THE EARLY 20<SUP>TH</SUP> CENTURY IN THE MODERN CULTURE by O. A. Lyzlova

“…Kulbin, actually elaborating theoretical foundation of the Russian avant-garde music reflected in his article “Free music”; I. …”
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Sergei Sigei and Aleksei Kruchenykh: Visual Poetry in the Russian Avant-Garde and Neo-Avant-Garde by Willem G. Weststeijn

Subjects: “…Russian Avant-garde…”
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coryphaeuses of architecture XX by Konstantin Lidin

Subjects: “…architectural thought; russian avant garde…”
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Phonemes, Graphemes, Dabs of Paint: Roman Jakobson, the Russian avant-garde and the search for the shared basic elements of painting and poetry by Hofstede, Bregje

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Combined photoluminescence and Raman microscopy for the identification of modern pigments: explanatory examples on cross-sections from Russian avant-garde paintings by Alessia Artesani, Marta Ghirardello, Sara Mosca, Austin Nevin, Gianluca Valentini, Daniela Comelli

“…The effectiveness and limits of the proposed combined method is discussed through analysis of a corpus of stratigraphic micro-samples from Russian Avant-garde modern paintings. In the selected samples, the method allows the identification of modern inorganic pigments such as cadmium-based pigments, zinc white, titanium white, chrome yellow, ultramarine and cinnabar.…”
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