Sultan Ebrahim Mirza significance in Safavid Art by meimanat hassanshahi, Maqsoud Ali Sadeqi Gandomani

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Recognition of Inscriptions and Decorations of Safavid Talisman Shirts Preserved in Iranian Museums by Marziyeh Esmaeili, Alireza Sheikhi

Subjects: “…safavid art…”
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Art as an Image of The Shah by Amir Maziar

Subjects: “…Safavid Art…”
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An Explanation on the Manufacture System of Safavid Textiles (Artists, Craftsmen, Production Centers) by Somaye Noorinejad, Farideh Talebpour, Azam Ravadrad

“…Economic and political stability and the constant support of courtiers aided the textile production system to introduce a new generation of artists and textile designers to create eye-catching textiles at this time due to incentive systems and financial rewards.Research aims:Recognition of the artistic image and the guild system of designers and weavers in creating textile productions in Safavid art.Examining the factors of production in introducing Safavid court textiles as works of art.Research questions:Were the textiles of the Safavid era considered as a work of art?…”
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“The aesthetic values of the murals of Iranian Islamic places in the Safavid era and their impact on contemporary visual environment art in Europe” by Dina Yousri Soliman Dorgham

“…These two palaces were a source of inspiration for the artists of post-world war II Europe; where some artists benefited from the murals of those palaces, beautified their homes and the surrounding gardens, and created beautiful mural designs inspired by Iranian Safavid art in the Islamic ear, but in a new style and artistic treatments in line with the features and characteristics of post-modern art. …”
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A Study on the Evolution of Mural Ornamentations in Architecture of the Mobarakeh's Nehchir Castle by farzanhe karkevandi esfshsni, alireza mohamadi milasi, Ahmadreza Mirmoghtadai, Rasool Kamali Dolat Abadi

“…The findings depict that the decorations in the architecture of the Nehchir Castle are influenced by antecedent periods, especially Zand and Safavid art, because they are in accordance with the motifs of the mentioned periods in other historical buildings. …”
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Analysis of Characterization Features in Paintings of Tahmasebi Shahnameh by fariba masoumipour, Farzaneh Farrokhfar

“…Considering the special place of Tahmasebi Shahnameh, which is a great treasure of Safavid art that has been effective on the process of Shahnameh writing in the history of Iranian painting, recognizing various features in characterization and different approaches to painting faces and iconography of this version matters, while little research has been focused on it. …”
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