Recontextualizing the Cinematic Code: The “Female Gaze” of Sai Paranjpye in Sparsh, Chashme Buddoor, and Katha by Tholia Shipra, Singh Amar

“…A central concern of the article is to examine how the female gaze is evident in the films of Indian film director Sai Paranjpye. More specifically, this research article analyses the ways, how female gaze asserts itself by playing with established cinematic codes while keeping the political and social condition of the time in the foreground. …”
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Queen of humour: a candid interview with award winning writer and film maker Sai Paranjpye by Sridhar Rangayan, Saagar Gupta

“…Moving from writing to theatre, television to films, and back-and-forth, Sai Paranjpye has straddled many mediums with aplomb. …”
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