Four Distinctions for the Auditory “Wastebasket” of Timbre1 by Kai Siedenburg, Kai Siedenburg, Stephen McAdams

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Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review by Valérian Fraisse, Marcelo M. Wanderley, Catherine Guastavino

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Deep Neural Networks for Document Processing of Music Score Images by Jorge Calvo-Zaragoza, Francisco J. Castellanos, Gabriel Vigliensoni, Ichiro Fujinaga

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A comparison of dimensional and discrete models for the representation of perceived and induced affect in response to short musical sounds by Iza Ray Korsmit, Marcel Montrey, Alix Yok Tin Wong-Min, Stephen McAdams

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The Acoustic Properties of Affective Timbres: Consistencies and Discrepancies in a Synthesis of Multiple Datasets by Iza Ray Korsmit, Marcel Montrey, Alix Yok Tin Wong-Min, Stephen McAdams

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Effects of Trunk Motion, Touch, and Articulation on Upper-Limb Velocities and on Joint Contribution to Endpoint Velocities During the Production of Loud Piano Tones by Felipe Verdugo, Felipe Verdugo, Felipe Verdugo, Justine Pelletier, Benjamin Michaud, Caroline Traube, Caroline Traube, Mickaël Begon, Mickaël Begon

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A Cross-Cultural Analysis of the Influence of Timbre on Affect Perception in Western Classical Music and Chinese Music Traditions by Xin Wang, Yujia Wei, Lena Heng, Stephen McAdams

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Measuring the Impacts of Extra-Musical Elements in Guitar Music Playing: A Pilot Study by Isabelle Héroux, Sergio Giraldo, Rafael Ramírez, Francis Dubé, Andrea Creech, Louis-Édouard Thouin-Poppe

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Online Group Music-Making in Community Concert Bands: Perspectives From Conductors and Older Amateur Musicians by Audrey-Kristel Barbeau, Mariane Generale, Andrea Creech

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Effect of Hearing Protection Use on Pianists’ Performance and Experience: Comparing Foam and Musician Earplugs by Elie Boissinot, Sarah Bogdanovitch, Sarah Bogdanovitch, Annelies Bocksteal, Annelies Bocksteal, Annelies Bocksteal, Catherine Guastavino, Catherine Guastavino, Catherine Guastavino

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“The Times They Were A-Changin’”: A Database-Driven Approach to the Evolution of Musical Syntax in Popular Music from the 1960s by Hubert Léveillé Gauvin

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Automatic Staff Reconstruction within SIMSSA Project by Lorenzo J. Tardón, Isabel Barbancho, Ana M. Barbancho, Ichiro Fujinaga

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Eye-hand synchronisation in xylophone performance: Two case-studies with african and western percussionists by Fabrice Marandola

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End-to-End Neural Optical Music Recognition of Monophonic Scores by Jorge Calvo-Zaragoza, David Rizo

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1/f laws found in non-human music by Adam S. Jermyn, David J. Stevenson, Daniel J. Levitin

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Signature Pedagogies in Collaborative Creative Learning in Advanced Music Training, Education and Professional Development: A Meta-Synthesis by Andrea Creech, Katie Zhukov, Margaret S. Barrett

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A Computational Model of Tonal Tension Profile of Chord Progressions in the Tonal Interval Space by María Navarro-Cáceres, Marcelo Caetano, Gilberto Bernardes, Mercedes Sánchez-Barba, Javier Merchán Sánchez-Jara

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Creative Collaboration and Collaborative Creativity: A Systematic Literature Review by Margaret S. Barrett, Andrea Creech, Katie Zhukov

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Exhausting repetitive piano tasks lead to local forearm manifestation of muscle fatigue and negatively affect musical parameters by Etienne Goubault, Felipe Verdugo, Justine Pelletier, Caroline Traube, Mickaël Begon, Fabien Dal Maso

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A Theory of Instrument-Specific Absolute Pitch by Lindsey Reymore, Lindsey Reymore, Niels Chr. Hansen, Niels Chr. Hansen

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