Showing 1 - 20 results of 39 for search '"Seamus Heaney"', query time: 0.29s Refine Results
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    Seamus Heaney and society, 1964 - 1994 by Lavan, R, Rosie Lavan

    Published 2015
    “…<p>The contexts of Seamus Heaney's writing have been routinely noted but their critical interrogation has, to date, been limited. …”
    Thesis
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    «HIDDEN GAELTACHT»: THE ROLE OF TRADITION IN SEAMUS HEANEY'S POETRY

    Published 2017-02-01
    “…The paper is devoted to the works of the 1995 Nobel Laureate, one of the most prominent figures in the contemporary English-language poetry, the Irish poet, translator and essayist Seamus Heaney. The paper is focused upon one of the key aspects for understanding and further studies of Heaney's poetry — the role of the Irish literary tradition in his poetic oeuvre. …”
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    Arrêt sur image(s) : « The Old Icons » de Seamus Heaney by Pascale Amiot-Jouenne

    “…Published by Seamus Heaney in Station Island in 1985, “The Old Icons” discretely distinguishes itself from the poems gathered in the last section of the volume. …”
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    La « révolte intime » de Seamus Heaney dans North by Mohammad Reza Ghorbanian

    Published 2009-03-01
    “…North, Seamus Heaney’s fourth volume of poetry, deals with the nature of the subject in a problematic society, as it is the scene of conflict between the subject and the forces, laws and traditions of society. …”
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    Kevin og Svarttrosten: Om poesi og sted hos Seamus Heaney by Anniken Greve

    Published 1998-01-01
    Subjects: “…Seamus Heaney…”
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    From Shame to “Pride” by Héliane Ventura

    Published 2017-09-01
    Subjects: “…Seamus Heaney…”
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    PETALS: The Aestheticisation of Death in Sylvia Plath’s “Edge” and in the Illustrations of Adriaan van de Spiegel’s Frucht in Mutter Leibe by Ciobanu Estella

    Published 2023-06-01
    “…This article investigates the aestheticisation of death in Sylvia Plath’s poem “Edge” in relation to other poems by her and marginally by Seamus Heaney and Charles Baudelaire, and to the short story “The Oval Portrait” by Edgar Allan Poe. …”
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