Stematografija Hristofora Žefarovicia jako dokument kulturowych i narodowych dążeń Serbów w pierwszej połowie XVIII wieku by Justyna Romanowska

“…The reference to the tradition of the medieval state by presenting images of rulers and marking its territories by coats of arms legitimized the authority of the Serbian Orthodox Church that declared itself to be the heir and continuator of this tradition. …”
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Portraits on canvas from photos as a 19th-century portrait making technique by Korolija-Crkvenjakov Daniela, Mijić Snežana, Mandić Željko

“…After the introduction to the techniques and materials described in the literature, the paper presents two oil portraits from a photography made on canvas: a portrait of Isaija Oluić, abbot of the Krupa Monastery, from the fund of the Dalmatian Diocese of the Serbian Orthodox Church, made by Vlaho Bukovac, and a portrait of Nika Mihajlović, prominent Sombor lawyer and philanthropist, from the fund of the City Museum in Sombor, painted by Uroš Predić. …”
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About the Semantic and Pragmatic Typology of Names Giving Protection from ‘the Evil Eye’: With Reference to an Ethnographic Record from Boljevac by Milan Ivanović

“…We also establish (and this for the first time in Serbian academia) the origin and meaning of the custom of giving a newborn an ime na vodici/znamenju ‘temporary Christian name given before baptism, right after the first blessing with holy water’, deducing that the Serbian Orthodox clergy – in the way of St. Sava (in the way that, for example, in celebrating the family patron saint’s day, krsna slava in Serbian, the ancestor cult and/or the fertility cult were replaced by the cult of the family patron saint) – probably replaced (but not at once!) …”
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PRILOZI ZA PROUČAVANJE ISELJAVANJA SRBA I CRNOGORACA SA KOSOVA I METOHIJE POD VLAŠĆU JOSIPA BROZA TITA by Miomir Gatalović

“…Bishop Pavle of Raška-Prizren Bishopric, the latter Patriarch of the Serbian Orthodox Church, left detailed information about this state of affairs. …”
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