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Creative use of objects as signs in cinema: an analysis of Sergei Parajanov’s Hakob Hovnatanyan
Published 2024-10-01Subjects: Get full text
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“Guilty of Being Free”: An Intellectual vs. Soviet Penal System (Prison Letters and Drawings of Sergei Parajanov)
Published 2022-04-01“…Sergei Parajanov was one of the most innovative directors of postwar Soviet cinema, which made him suspect to the Soviet authorities and eventually led Parajanov to serving a prison sentence. …”
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Christian Values and the Problem of Self-Presentation by Sergei Parajanov: “A Saint in Prison” / Христианские ценности и проблема самопрезентации Сергея Параджанова: «святой на зоне»
Published 2024-11-01Subjects: “…sergei parajanov…”
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“The World as a Pomegranate”: Intercultural Symbolism of the Fruit of Paradise
Published 2024-06-01“…The polyphony of meanings of the image of a pomegranate in different cultures, in different types of art, and in different eras comes down to the homogeneity of the pomegranate, existentially revealed by Sergei Parajanov in the formula “the pomegranate is the whole world”.…”
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O príncipe e o poeta
Published 2020-12-01“…Para isso, debruça-se sobre duas produções cinematográficas da União Soviética: Alexander Nevsky (1938), de Sergei Eisenstein e A Cor da Romã (1969), de Sergei Parajanov. Por meio desses filmes, ambientadas no século XIII e XVIII, respectivamente, objetiva-se examinar o papel ocupado pela nacionalidade nas duas produções e refletir sobre as imagens fílmicas na construção de uma narrativa sobre o passado das repúblicas da URSS. …”
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Kiev of the Soviet-Era from Parajanov’s point of view: “Kiev Frescoes”
Published 2021-12-01“…Specifically, I argue that Sergei Parajanov, in the Newspeak of visual signs, through spatial syntagmas and segments, conveys different historical layers of Kiev. …”
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