Are nekketsu shōnen manga sports manga? by Frédéric Ducarme

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Straddling the Line: How Female Authors are Pushing the Boundaries of Gender Representation in Japanese Shonen Manga by Daniel Flis

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PERFORMATIVITAS DALAM MANGA SHONEN-AI: SEKAIICHI HATSUKOI, HENSHIN DEKINAI DAN HIMANANODE HAJIMETE MIMASHITA by Ni Made Savitri Paramita

“…This research underlies the analysis on the performance and performativity of characters in shonen-ai: Sekaiichi Hatsukoi, Henshin Dekinai, and Himananode Hajimete Mimashita manga. …”
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Le manga et son histoire vus de France : entre idées reçues et approximations by Xavier Guilbert

“…We will also consider the vision of the manga industry in Japan, and how this vision is mostly built on the emblematic case of the Shônen Jump weekly magazine. Finally, we will observe how French publishers translate this vision in their editorial strategy.…”
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I AM WHAT I AM: Manga, corpi e identità di genere by Paolo La Marca

“…The main objective of this contribution is to analyze works that have dealt with the theme of gender identity – specifically the figure of josō no shōnen/otoko (boys/men in women’s clothes) – in a selection of works created by male manga artists and published on generalist magazines aimed at a male audience in a period between 1969 and 1976. …”
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Plot Patterns in Manga Based on Propp’s narratological elements by Bogdan Groza, Adrian Momanu

“…For the purpose of this article, most of the provided examples derive from shōnen manga as they provide for a clearer analysis. …”
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Kon Satoshi and Japan’s Monsters in the City by Chris Perkins

“…Focussing on the bat-wielding figure of Shōnen Batto and a cuddly pink doll called Maromi, it is shown how Kon Satoshi uses these figures to critique a range of fatalistic discourses on Japan’s decline that have emerged since the bursting of Japan’s economic bubble in the early 1990s. …”
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Manfra et prépublication : équation impossible ? by Bounthavy Suvilay

“…Pika Edition a diffusé dans Shônen Collection (30 volumes, 2003-2005) des mangas créés par de jeunes auteurs français. …”
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Paisajes animados como remediación y premediación: ciudades cíborgs y mundos virtuales en los anime japoneses by Vincenzo Maselli

“…Las escenografías examinadas están tomadas de Conan, el niño del futuro (Mirai shōnen Konan, 1978), Akira (1988), Metrópolis (Metoroporisu, 2001), Neon Genesis Evangelion (Shin seiki Evangerion, 1995), Digimon (1999) y Sword Art Online (2012). …”
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Carpal Alignment in Distal Radius Fractures Following Volar Locking Plate Fixation by Kentaro Watanabe, MD, PhD

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Guerra, magia y romance durante “los estados combatientes”. by Claudia Bonillo Fernández

“…Su mezcla de elementos shōjo y shōnen, su dinámica animación y la innegable química entre sus protagonistas son algunos de los elementos que más siguen atrayendo a fans de todo el mundo. …”
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Vascularised versus non-vascularised bone graft for scaphoid nonunion: Meta-analysis of randomised controlled trials and comparative studies by Yuki Fujihara, Michiro Yamamoto, Satoki Hidaka, Ai Sakai, Hitoshi Hirata

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La double-page chez Hirohiko Araki : l’ubris faite norme by Aurélien Pigeat

“…Le style d’Araki se caractérise par un usage massif de la double-page, loin de l’usage ponctuel que l’on trouve habituellement dans les shonen. Elle témoigne d’une forme d’ubris qui se fait norme de composition c’est-à-dire qu’elle érige le principe de débordement en règle de structuration de l’action et des planches Elle est ainsi la marque de la démesure d’un auteur qui, sous l’apparence du manga populaire, et à travers les codes de ce dernier, élabore une œuvre d’une puissance et d’une sophistication rares..…”
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