The Shadow Theatre of Theatre Criticism by Margareta Sörenson

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Tracing Shadows. On the Shadow Theatre Trail by Fabrizio Montecchi

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Leaving Javanese Shadow Theatre (Wayang Kulit) Religiously Unlabelled by Johannes Beltz, Eva von Reumont

“… Wayang Kulit, the shadow theatre tradition on the island of Java, combines ancient Javanese and Indian myths in a Muslim context and therefore poses as a wonderful example of how religious traditions intertwine with works of art. …”
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Renovating the Cultural Heritage of Traditional Shadow Theatre with eShadow by Nektarios Moumoutzis, Marios Christoulakis, Stavros Christodoulakis, Desislava Paneva-Marinova

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eShadow+: Mixed Reality Storytelling Inspired by Traditional Shadow Theatre by Nektarios Moumoutzis, Marios Christoulakis, Chara Xanthaki, Nikos Pappas, Yiannis Maragkoudakis, Stavros Christodoulakis, Desislava Paneva-Marinova

“…eShadow is a digital storytelling platform inspired by traditional Shadow Theatre. It enables the creation of digital stories within a project-based approach that may start from scenario development and include the creation of digital puppets and sceneries, the set-up and recording of story scenes and the final assembly of a digital story. …”
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Speech and Voice in the Comic Performances of the Traditional Greek Shadow Theatre of Karaghiozis by Thomas A. Agrafiotis, Ioanna Papageorgiou

“…Keywords: Modern Greek Shadow Theatre, Oral Culture, Urban Culture.…”
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Digital Nature Representation: Ecocritical Perspectives on the Children’s App Kubbe Makes Shadow Theatre by Lykke Guanio-Uluru

“…It argues that Kubbe Makes Shadow Theatre invites play as a cybertext (Aarseth, 1997) by enabling its users to add and subtract semiotic modes in the course of a reading and identifies a new performance mode, the Ambient mode. …”
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Aristophanes in Greek shadow theatre: codification and adaptation Peace and Frogs performed by Evgenios Spatharis by Kanellakis, D

“…After an introduction considering the reception of Aristophanic comedy and the significance of shadow theatre in modern Greek culture, this article explores the possibilities of adapting Aristophanes’ plays to the latter art form. …”

Shadow Theatre as a Performative Art for the Development of Uninhibited Corporal Expression and Group Cohesion in Sixth-Grade Students of Primary Education by Paloma Bravo-Fuentes

“…Shadow theatre is an educational resource based on the use of silhouettes and the body as a means of communication. …”
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Dyes of a Shadow Theatre: Investigating <i>Tholu Bommalu</i> Indian Puppets through a Highly Sensitive Multi-Spectroscopic Approach by Alessandro Ciccola, Ilaria Serafini, Giulia D'Agostino, Belinda Giambra, Adele Bosi, Francesca Ripanti, Alessandro Nucara, Paolo Postorino, Roberta Curini, Maurizio Bruno

“…<i>Tholu Bommalu</i> are typical leather puppets of the traditional Indian shadow theatre. Two of these objects are part of a collection in the International Puppets Museum “Antonio Pasqualino” (Palermo, Sicily, Italy), which can count on one hundred-seventy-three of artifacts. …”
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Murwakala – rytualny wayang by Marianna Lis

Subjects: “…java shadow theatre…”
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Karagöz-Hacivat Oyunlarında Doğa İkilemi by Zümre Gizem Yılmaz Karahan

Subjects: “…traditional shadow theatre…”
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Gölge Oyununda Varlık Tasavvuru: Sûfî Bir Bakış by Muhammed Yusuf Akbak

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“Karagöz is ours”: İsmayıl Hakkı Baltacıoğlu’s cultural revivalism and the Long Turkish Modernity by Ambra D’Antone

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500 years of Karagöz by Cengiz Özek

“…This article is a reflection about Turkish Shadow Theatre, Karagöz Theatre. It presents Karagöz techniques; the structure of Karagöz plays and the main characters, providing the reader with a clear view of Karagöz Shadow Theatre, an art form that will complete its 500th birthday in 2017. …”
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Una presenza che si fa ombra in Oriente by Giovanni Azzaroni

“…This essay investigates three different geographic situation, that is Japan (nōtheatre), China (shadow theatre) and Indonesia (shadow theatre), to connect as well as possible the vision and “shadow philosophy” to accurate and cultural perspectives, which can relate it to real cultural images.…”
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PERTUNJUKAN BAJANG KOLE PAMEKASAN: Wayang Kulit Madura dalam Kajian Bentuk, Fungsi dan Makna by BASAR, ACHMAD HAMZAH FANSURI

“…The growth and development of Javanese shadow theatre type in the history of puppetry and also traditional shadow theatre itself is not accompanied by the growth of Pamekasan's (Madura) bajang kole traditional art. …”

Hands on : virtual art installation : interactive shadow puppetry by Listya Utami Harjadi.

“…Listya Utami Harjadi, implemented a different way of story-telling by creating a highly interactive digital shadow theatre for her Final Year Project (FYP), which uses Wii Remotes as the mode of interaction. …”
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La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaire by Michela Niccolai

“…Among the adaptations of La Tentation de saint Antoine de Flaubert, the one made by Henri Rivière deserves special attention. « Féerie à grand spectacle en 2 actes et 40 tableaux », La Tentation for the shadow theatre (1887) is a composite show that blended the visual component with the music (original and arranged by Albert Tinchant and Georges Fragerolle) inside a fixed device where the evocative appearance of the paintings carried the viewer into a mystical universe. …”
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Moens'written transmission of dalang lore by Victoria M. Clara van Groenendael

“…Much of the storytelling in Java is the profession of the puppeteers (dalang; also spelled dhalang) who perform and direct shadow theatre plays (wayang). They improvise their stories in the context which their performance requires. …”
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