Antes que el diablo sepa que has muerto (Sidney Lumet) by Jesús Miguel Sáez-González

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Eugene O’Neill’s Long Day’s Journey into Night across the North and South America by Amina A. Zhamanova

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LITERATURE AND CINEMA: REPRESENTATIONS OF HOLOCAUST TRAUMA IN THE PAWNBROKER, BY EDWARD LEWIS WALLANT by Vanderléia de Andrade Haiski

“…So, we chose the literary work The Pawnbroker (1961), written by Edward Lewis Wallant and the homonym film version, directed by Sidney Lumet in 1964, to exemplify those representations. …”
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MAD AS HELL : THE MAKING OF NETWORK AND THE FATEFUL VISION OF THE ANGRIEST MAN IN MOVIES / by Itzkoff, Dave, author 644459

“…With a superb cast (including Faye Dunaway, William Holden, Peter Finch, and Robert Duvall) directed by Sidney Lumet, the film won four Academy Awards and indelibly shaped how we think about corporate and media power. …”

12 Angry Men (1957) by Helciclever Barros da Silva Sales

“… This essay focuses on the imagetic power of the word as a central element of the film 12 Angry Men (1957), directed by Sidney Lumet, with a screenplay by Reginald Rose from his writings and TV special (CBS, 1954, directed by Franklin Schaffner). …”
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Uma visita à direção de arte no cinema brasileiro by Salete Paulina Machado Sirino, Tania Maria dos Santos

“…Para o cineasta Sidney Lumet (1988), os três elementos mais importantes para a criação de uma visualidade de um filme são: a câmera, a direção de arte e o guarda-roupa, os quais resultam do conceito estético definido pela direção do filme. …”
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Divismo, maturità e politica sessuale negli "Hollywood film" di Anna Magnani by Margarida Carnicé Mur

“…Wallis: The Rose Tattoo (Daniel Mann, 1955), Wild is the Wind (George Cukor, 1957) and The Fugitive Kind (Sidney Lumet, 1959). Magnani’s Hollywood films suggest a kind of tailor-made melodrama, concerned in documenting her unique performative style while Hollywood experiences a great renewal of dramatic patterns and acting models. …”
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El cine satírico de periodistas. Personajes y relato de los mass media por la industria de Hollywood (1970-2020) by Patricia Gascón Vera, Joseba Bonaut Iriarte

“…Se efectúa un análisis de contenido, cuantitativo y cualitativo, de seis comedias estadounidenses representativas en el último medio siglo -Network (Sidney Lumet, 1976), Broadcast News (James L. Brooks, 1987), The Paper (Ron Howard, 1994), Chicago (Rob Marshall, 2002), Morning Glory (Roger Michell, 2010) y Don't Look Up (Adam McKay, 2021)-, basado en las teorías del humor y la teoría de la agenda setting. …”
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