Orientalismo nel cinema muto italiano. Una seduzione coreografica by Elisa Uffreduzzi

Subjects: “…silent film…”
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Il giapponismo fra teatro, cinema e pittura. Viaggio nelle fonti del primo adattamento cinematografico di Madame Butterfly by Maria Ida Biggi, Francesca Castellani

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Exotisation et marginalisation. L’Autre-indigène et “son” Ailleurs dans le cinéma colonial européen des Années 20 aux Années 40 by Manuel Billi

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Vachel Lindsay’s Visionary Theoretical Reflections on Film by Srebrenka Mačković

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Imagining Chinatown: Broken Blossoms (1919) in Britain by Agata Frymus

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Digital Film Preservation: The Search for the Original by Roswitha Skare

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Impersonalità ed empatia in Katherine Mansfield: un percorso tra letteratura, cinema, filosofia e psicoanalisi by Maurizio Ascari

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Local newspaper movie contests and the creation of the first movie fans by Jessica Leonora Whitehead

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A Kiss for Cinderella (1925) The Importance of Historical Accuracy in Reconstructing Scores to Silent Films Based on the Mirskey Collection by Cieślak-Krupa Agnieszka

Subjects: “…silent film…”
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O pensamento sonoro-visual de Walter Ruttmann e a música de Berlim: sinfonia de uma metrópole (1927) by Claudiney Rodrigues Carrasco, Renan Paiva Chaves

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Researching Black women and film history by Agata Frymus

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“The Hum of the Conversing Audience”: Ordinary Criticism and Film Culture in American Early Film Theory by Statius Marthe

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Soso Dumbadze and Nino Dzandzava (eds.): <i>Kote Mikaberidze</i> by Alexander Schwarz

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The Queen of Spades: Intertextuality in Chardynin’s and Protazanov’s silent film adaptations, Tchaikovsky’s opera, and Benois’ illustrations for the story by Alexander Pushkin / Ин... by VIOLETTA D. EVALLYO / В. Д. ЭВАЛЛЬЁ

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Rethinking Inside and Outside: The Door in Ernst Lubitsch's When I Was Dead and Charlie Chaplin's The Adventurer by Ido Lewit

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Bronisław Mirski - Polish Music Director of the Silent Film Era by Cieślak Agnieszka

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Aelita (Iakov Protazanov, 1924) : la science-fiction à l’écran en question by Raphaëlle Costa de Beauregard

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Seeking Traces of Women in Early Irish Filmmaking: The O’Mara Sisters and the Archive by Veronica Johnson

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“Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema by Ian Scott

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The Distant Roar of Battle: The Italian Film Criticism Unions in the Press of the Period by Matteo Berardini

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