„Perché sono tutti cattivi“: Strategien der Anziehung und Abstoßung in ‚Gomorra – la serie‘ by Tanja Weber

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„Perché sono tutti cattivi“: Strategien der Anziehung und Abstoßung in ‚Gomorra – la serie‘ by Tanja Weber

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Saints, Cops and Camorristi. Editorial Policies and Production Models of Italian TV Fiction by Luca Barra, Massimo Scaglioni

“…In recent years, three different models clearly emerged, following the divergent goals and needs of public service broadcaster Rai, commercial television Mediaset and pay-TV operator Sky Italia: respectively, with a pedagogical approach resulting in hagiographic miniseries, socially committed fiction and relevant comedies; with procedural and legal dramas following the US commercial models and romance-filled prime time soaps; and with a cable-oriented tension towards anti-heroes, high-budget productions and “quality television”. …”
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