Songs without words: Some theological reflections on liturgical jazz by Harrison, C

Musikalische Zeitgestaltung in Mendelssohns Liedern ohne Worte by Ullrich Scheideler

Subjects: Get full text

PUBLISHED PIANO COMPOSITIONS BY O. NEGRUTA IN THE PEDAGOGICAL PROCESS In The REPUBLIC OF MOLDOVA by GUPALOVA, ELENA

“…The general characteristics of piano works include not only published solo works (musical collections “Spring Mood”, “Songs without Words”, the pieces “Scherzo”, “Improvisation”, etc.), but also piano duets, as well as personal transcriptions of some famous works (“Nocturne” - a fragment from the Cconcerto for trumpet and orchestra, “Hora staccato” by G. …”
Get full text

WORKS FOR PIANO IN THE CONTEXT OF OLEG NEGRUTA’S COMPOSITION ACTIVITY by GUPALOVA ELENA

“…The general presentation of the pianistic works includes not only the published works (the collection „Spring mood”, „Album for children”, the pieces „Scherzo”, „Improvisation”, etc.), but also the manuscripts (Concerto for piano and orchestra, two notebooks „Songs without words”, polyphonic works, etc.), including the pianistic duets and personal transcriptions of some well-known works („Nocturne” — fragment from the Concerto for trumpet and orchestra, „Hora staccato” by G. …”
Get full text

The mystery of Frederic Chopin’s Berceuse by Stacy JARVIS

“…Drawing on the philosophy of Theodor Adorno regarding the social aspect of intimacy, it is inferred that despite the traditional inclusion of words in lullabies, Chopin’s ‘song without words’ is unique, lyrical, emotional, melodious, and possesses rich expressive potential for conveying feelings (in emotional nuances) and thoughts (expressed in meaning). …”
Get full text