Showing 1 - 8 results of 8 for search '"Sons and Lovers"', query time: 0.07s Refine Results
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    Complicity to hegemonic masculinity in D. H. Lawrence's Sons and Lovers by Subrayan, Angelina, Wan Yahya, Wan Roselezam

    Published 2016
    “…Drawing on narrative data from his novel Sons and Lovers (1913), the study examines how hegemonic masculinity is conformed by the male protagonist, Walter Morel, in his gendered relationship. …”
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    Conversational implicature and cooperativeness in D.H Lawrence’s sons and lovers / Angelina Subrayan Michael and Chittra Muthusamy by Michael, Angelina Subrayan, Muthusamy, Chittra

    Published 2015
    “…This study examines the conversational implicature and the use of cooperative principles in the novel Sons and Lovers (1913) by D.H. Lawrence (Lawrence). Men and women inhabit different worlds, which gives rise to differentiated meanings attached to words. …”
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    Monotony and the Masses by Adam Parkes

    Published 2022-12-01
    “…Focusing on Lawrence’s representation of the English Midlands, this article traces the effects of that spatialized boredom in various novels including Sons and Lovers, The Rainbow, and Lady Chatterley’s Lover. …”
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    Lawrence and the Common People by Jane Costin

    Published 2022-12-01
    “…Like Paul in Sons and Lovers (1913), Lawrence was born into the “common people.” …”
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    “The shimmer is inside really”. D. H. Lawrence’s Resurrection Myth and Wilfred’s Bion’s Transformations in “O” by Emily Griffiths

    Published 2021-05-01
    “…Lawrence’s hostility to the application of Freudian theory to literature in his critical writings alongside the aesthetic theories he develops in his novels Sons and Lovers, Lady Chatterley’s Lover and The Man Who Died which are centred around the Christian mystery of the resurrection. …”
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    Conformity and resistance to hegemonic masculinity in selected novels of D.H Lawrence by Michael, Angelina Subrayan

    Published 2016
    “…The novels selected for analysis are Sons and Lovers (1913), The Rainbow (1915), The Lost Girl (1920) and Aaron’s Rod (1922). …”
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