al-Kafā’atu al-Żātiyyatu Ladā al- Ṭalabati fī Tanfīżi Istirātījiyyāti Ta’līmi ISSO (al-Ta’līmi al-Żātīy wa al-Iyhāiyyati wa al-Muţaşhili al-Mubāsyiri) by Ade Destri Deviana

“…Suggestopedia as a process of generating student motivation uses sound, film and games. Most students (14%) enjoy online learning because they do not have to go to school, references are available on Google and learning can be done while relaxing. …”
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The 1930s Horror Adventure Film on Location in Jamaica: ‘Jungle Gods’, ‘Voodoo Drums’ and ‘Mumbo Jumbo’ in the ‘Secret Places of Paradise Island’ by Emiel Martens

“…The first part contains a discussion of <i>Ouanga</i>, the first sound film ever made in Jamaica and allegedly the first zombie film ever shot on location in the Caribbean. …”
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El silencio del monstruo: imagénes espectrales en el cine de terror americano de comienzos del sonoro / Silence of the Monster. Ghostly Images in American Horror Film at the Beginn... by Roberto Cueto

“…As films produced in the transitional period from silent to sound film, both showcase special features that distinguished them from posterior horror films in Hollywood: the introduction of the monstrosity without extra-diegetic music or sound effects generated the appearance of certain «holes of silence» in the film narrative. …”
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O “heróico cinema português” : 1930-1950 by Carla Patrícia Silva Ribeiro

“…This proved to be a dynamic time, both in terms of production, with the advent of sound films and national producers and their studios, both as regards to consumption, with the proliferation of cinemas; there was still the advent of magazines, like Kino, Imagem or Cinéfilo, and the emergence of important portuguese filmmakers – António Lopes Ribeiro, Leitão de Barros, Jorge Brum do Canto, Chianca Garcia – producing relevant cinematographic works. …”
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The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933 by Nick Redfern

“…The impact of sound technology on Hollywood is analysed through looking at the median shot lengths of silent films from the 1920s (n = 54) and early sound films (n = 106). The results show a large increase in the median shot lengths with the introduction of sound (Mann Whitney U = 554.0, Z = -8.33, p = <0.01, PS = 0.0968), estimated to be 2.0s (95% CI: 1.6, 2.4). …”
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MEDIAMUSIC ORIGINS by Chernyshov Alexander V.

“…They stand out in the "telephone concerts", "phonograph concerts" and the proto-sound films (T.Edison, W.Dickson, Ch.Pathé, O.Messter). …”
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A Functional Study of Film Sound Design in Science Fiction Films by Fang Zhuxin

“…As a form of art combining audio and visual, movie sound effect is an important element in building the story world of the movie. When sound films first appeared, they were recognized and welcomed by the public, and it is extremely important to use sound effects in narrative films so that the audience can have a better connection with the fictional world. …”
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WPŁYW NOWYCH MEDIÓW NA EWOLUCJĘ LITERATURY FAKTU. ANALIZA REPORTAŻU MULTIMEDIALNEGO JACKA HUGO-BADERA BOSKIE ŚWIATŁO by Paulina BUCZEK

“…It is a combination of the classic journalistic text and elements such as: pictures, sounds, films, animations and visualizations. A typical quality of multimedia reportage is interactivity. …”
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Sound, voice, music: Editorial by Danijela Kulezic-Wilson, Christopher Morris, Jessica Shine

“…Not that the early literature on film music did much to suggest otherwise: largely anecdotal in nature, it documented the use of music in silent and early sound films in ways that seemed to reinforce the notion of music as post-production in practice and an after-thought to theory.…”
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The cinematic soundscape: conceptualising the use of sound in Indian films by Budhaditya Chattopadhyay

“…By studying and analysing a number of sound- films from different technological phases of direct recording, magnetic recording and present- day digital recording, the article proposes three corresponding models that are developed on the basis of observations on the use of sound in Indian cinema. …”
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“Screen on the Chum”: Social Reconstruction and Mobile Film Propaganda in the North of the Ob region in the 1930s by Agapov M.G.

“…Drawing on the example of agitation and propaganda campaigns carried out in the north of the Ob region in the 1930s among the indigenous population, a specific tool of the Soviet ideological indoctrination of the Great Break period — a mobile cinema (installations designed to screen silent and sound films to a small audience in open areas and in premises not equipped with stationary film projectors) — has been comprehensively studied. …”
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The Political History of Classical Hollywood: Moguls, Liberals and Radicals by Wheeler, Mark

“…This tide of Hollywood liberalism and radicalism was enhanced by the migration of New York based writers and stage actors who, in the wake of sound films, had resettled on the West Coast. This chapter outlines the development of the moguls’ politics and how they courted the ‘great and good’ in American civil life. …”
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