The Function of Sound in the Gothic Novels of Ann Radcliffe, Matthew Lewis and Charles Maturin by Angela M. Archambault

“…What seems to emerge from these texts is a sort of Gothic soundtrack whose noise, music and voice is capable of triggering panic and ushering in greater unpredictability. …”
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Augmented Storytelling by Antonio J. GIL GONZÁLEZ

“…From all this will emerge the mutant phenomenology we intend to address in the work across the study of some significant cases, from (post) novels that appear to be a succession of <em>google </em>screens, new publishing platforms that project multimedia novels or interactive comics (with soundtrack or digital effects built into the text), films with which it is possible to interact through mobile phones, increased narrative projects through AR software, transmedia platforms or Alternate Reality Games (ARG’s) to, this time taking up the most literal analogy with <em>augmented reality</em> announced in the title, wonderbooks reducing the old Gutenberg’s artifact to the status of mere interface of a video game console.…”
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Hearing Red: Aurality and performance in a film by Simon Gush by Brett Pyper

“…I consider how sound constitutes not just the soundtrack but also, at particular moments, becomes the subject of the film itself. …”
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Investigating basic channel routing matrix using reaper: designing a surround sound 5.1 instruction model for learning by Ardy Aprilian Anwar, Riky Taufik Afif, Md Nagib Bin Padil

“…We use matrix routing to define the DAW's channel flow arrangement on the soundtrack. Surround Sound spatial sound processing is indispensable for improving film production in Indonesia. …”
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Jazz in Soviet Cinema. The Experience of Retrospective Analysis by Rikker Natalia G.

“…The author presents a classification based on a set of qualities, such as maximum or minimum correlation of the plot of the film with jazz, participation of jazz musicians in it, and presence of a jazz soundtrack. …”
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New Asmaradana in Indonesian contemporary poetry and Malayan pop song: product of rooted culture or new interpretations? by Suyitno, Suyitno

“…This paper discusses four Asmaradana poems, two of which are the re-made versions from Goenawan Mohamad and the Putri Gunung Ledang movie soundtrack, and how they are interrelated. This paper takes focus on the interpolations of meanings shown in contemporary works that are different from their originals. …”
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Orienting Design, Discourse and Perception in C’était un Rendez-Vous by Paul Krumholz

“…A rectangle of light grows from the centre of the frame, recognizable as the tunnel's exit, and, as the camera penetrates it, the soundtrack of engine noises and tire squeals kicks in. …”
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The effect of musical practice on gesture/sound pairing by Alice Mado eProverbio, Lapo eAttardo, Matteo eCozzi, Alberto eZani

“…In half of the trials, the soundtrack did not match (in pitch) the corresponding musical gestures. …”
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James Anthony Fox by James Anthony Fox

“…As with films, a thoughtfully composed video game soundtrack has the ability to dramatically enhance and elevate the experience for the audience or player. …”
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“Heute gehört uns die Galaxie”: Music and historical credibility in Wolfenstein: The New Order’s Nazi dystopia by Fede Peñate Domínguez

“…The diegetic embedding of songs in this style could have supported the game’s atmosphere in a way that is comparable to the use of licensed works in games such as Grand Theft Auto and Fallout. However, the soundtrack composition was constrained by controversies around the representation of the Third Reich in computer games, a factor that also limited the role of the songs within the game world. …”
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Peculiarities of Multilingual Films in the Context of Audio Visual Translation by Eglė Alosevičienė

“…When subtitling, multilingualism is preserved by keeping the original soundtrack, and different languages may be highlighted by employing subtitles of different types (differentiating by font, colour, etc.). …”
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'Ora Minggir Tabrak' Electronic Dance Music (EDM), a Montage of The Time-Image by Citra Aryandari

“…The phenomenon comes into sight specifically in the song of “Ora Minggir Tabrak”,literally means if you get on my way I will hit you, a soundtrack of Ada Apa Dengan Cinta 2feature film. And it obviously could be seen in talent hunting for EDM musicians program broadcast by Net TV (the ReMix), and several other big events with internationally standard organized annually, such as DWP (Djakarta Warehouse Project); and Dreamfield at GWK Bali, which are worth-discussing amidst the hustle and bustle of music market in Indonesia.…”
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Orienting Design, Discourse and Perception in C’était un Rendez-Vous by Paul Krumholz

“…A rectangle of light grows from the centre of the frame, recognizable as the tunnel's exit, and, as the camera penetrates it, the soundtrack of engine noises and tire squeals kicks in. …”
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A wireless sensor-based mobile music environment complied from a graphical language by Jacobs, Robert N. (Robert Nathan)

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The individual as environment: watching Jean-Claude Rousseau’s La Vallée close with Lucretius and Simondon’ by Lubecker, N

“…This chapter draws on Henri Bergson’s commentary on Lucretius’ De rerum natura (explicitly featured in the soundtrack to the film), Félix Guattari’s late ecosophical writings, and the process-oriented philosophy of Gilbert Simondon, in order to analyse Rousseau’s exploration of the relations between ontology, perception and subjectivity. …”

Not Different Enough: Avoiding Representation as “Balkan” and the Constrained Appeal of Macedonian Ethno Music by Dave Wilson

“…Known by some as the “Ethno Renaissance”, this trend initially grew in the context of educational ensembles in Skopje and gained momentum due to the soundtrack of the internationally acclaimed Macedonian film <i>Before the Rain</i> (1994) and the formation of the group DD Synthesis by musician and pedagogue Dragan Dautovski. …”
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Application of Data Mining with the K-Means Clustering Method and Davies Bouldin Index for Grouping IMDB Movies by Ilham Firman Ashari, Romantika Banjarnahor, Dede Rodhatul Farida, Sicilia Putri Aisyah, Anastasia Puteri Dewi, Nuril Humaya

“…Information contained on IMDB such as actor/actress, director, writer, to the soundtrack used. In addition, IMDb is the most popular and trusted source of information for movies, TV, and other celebrity content. …”
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Nelson Mandela’s ‘Ordinary Love’ Addressed in Pop-rock Music: a Long Song of Freedom by Simona Martini

“…Among the songs cited: Simple Minds’ “Mandela Day”, the various artists’ tribute “46664” and the most recent Golden Globe-awarded “Ordinary Love” by U2, written for the soundtrack of the biopic The Long Walk to Freedom. To better understand how the figure of Mandela has been addressed in these works, the paper includes analyses of the most complex and significant lyrics among the songs discussed, thus also showing how the South African cultural background as it was received by the West could have informed the songwriting, and how the Western reception of such songs determined an increasing awareness about Mandela’s plight and the whole phenomenon of apartheid.…”
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Audio-Visual Perception of Gender by Infants Emerges Earlier for Adult-Directed Speech. by Anne-Raphaëlle Richoz, Paul C Quinn, Anne Hillairet de Boisferon, Carole Berger, Hélène Loevenbruck, David J Lewkowicz, Kang Lee, Marjorie Dole, Roberto Caldara, Olivier Pascalis

“…Six-, 9-, and 12-month-old infants saw side-by-side silent video-clips of talking faces (a male and a female) and heard either a soundtrack of a female or a male voice telling a story in IDS or ADS. …”
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Corteggiamento e musica: un approccio evolutivo by Danae Crocchiola

“…Courtship and Music: An Evolutionary Approach – The pervasive presence of music in human life from its embryonic stages onwards helps to explain, in part, the importance attributed to it as the soundtrack for our emotional experiences. We may assume humans have an inborn musical grammatical code, i.e. a possible evolutionary biological advantage, which would explain a listener’s ability to complete, with the “right” notes, a melody never heard before. …”
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