NOISOLOGY by Bysko Maxim V.

“…"Music for percussion", "symphonies of noises", noise soundtracks, noisomusic, ars-acoustic, noise tools, data bases of noises and sound-engineering practice of audio effects, all can be confirmation of this phenomena. …”
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Encountering sound: the musical dimensions of silent cinema by Paul Cuff

“…This article identifies silent film soundtracks as evidence of the tensions between old and new audiovisual cultures, and examines the distinctions between our experience of live and mediated cinema through contemporary modes of presentation. …”
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Rapt/Wrapped Listening: The Aesthetics of “Surround Sound” by James Wierzbicki

“… This essay is prompted by “surround sound,” the sonic results of which have been evident in cinemas since the late 1970s and the encoding for which, in the form of Dolby 5.1 on the soundtracks of DVDs, since the turn of the century has been fairly ubiquitous. …”
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Existentialism in the films of Wong Kar Wai by Mak, Yu Ting

“…Perhaps the reason for his popularity in the international art house circuit is because his works are highly stylized with captivating aesthetics and haunting soundtracks. His popularity extends to the field of academia where numerous literature and dissertations have been devoted to discussing his films. …”
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Assessing the influence of music on wine perception among wine professionals by Wang, Q, Spence, C

“…The first study assessed the impact of putatively "sweet" and "sour" soundtracks on taste evaluation, whereas the second study assessed more subtle wine-specific terminology such as length, balance, and body. …”

You Look at Me Looking at You Looking at Me by Brigitte Jurack

“…Do the fast-changing camera angles and soundtracks of natural history programmes hinder an empathic inter-species encounter? …”
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SOUND DESIGN IN GAMES AND UX: A CASE STUDY OF THE RELATIONSHIP BETWEEN SOUND EFFECTS AND GAME ACTIONS IN SUPER MARIO BROS by Marisa Sel Franco, Felipe Raposo, João Vitor Vale, Flávia Carvalho, André Demaison

“…The auditive interfaces are bridges of the designer-user communication which extrapolate the screen’s visual elements. Sound effects and soundtracks have yet an important role to the game identity construction, enabling the player to have full knowledge of the actions. …”
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Jamming with a Smart Mandolin and Freesound-based Accompaniment by Luca Turchet, Mathieu Barthet

“…We present two use cases investigating how audio content retrieved from Freesound can be leveraged by performers or audiences to produce accompanying soundtracks for music performance with a smart mandolin. …”
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Die bantering van daar-interferensie in die Duits van Afrikaansmoedertaliges by Emerencia C. Steyn

“…A comparison of sentence constructions in the soundtracks (simulcast) of some television programmes indicates a general lack of a German equivalent for the multiple use of the A.frikaans daar. …”
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Sound Effects and the Morphing Façade: Emotion in Sound of Projection Mapping by Roger Pastó Cortina

“…Drawing on research in sound (music, sound effects, ambient, voice) for film, animation, and video game, in this paper I analyze how sound works in projection mapping, and the decisions I have made as a sound designer for the creation of soundtracks. This is a theoretical paper aims at providing an introduction to the literature of sound in projection mapping and to encourage further theoretical and empirical research to heighten its understanding. …”
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An Analytical Study of Assimilation in English Reading Texts by Mohammed Alasadi

“…The collected data are the soundtracks of 14 reading passages taken from “Intermediate-Select Readings” /Second Edition by Linda Lee & Erik Gundersen as a second year reading textbook at the College of Languages / University of Kufa. …”
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Locus of emotion influences psychophysiological reactions to music. by Julia Merrill, Diana Omigie, Melanie Wald-Fuhrmann

“…In the current study, we compared these two emotion loci based on the psychophysiological response of 40 participants listening to 32 musical excerpts taken from movie soundtracks. Facial electromyography, skin conductance, respiration and heart rate were continuously measured while participants were required to assess either the emotion expressed by, or the emotion they felt in response to the music. …”
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Imbrication Between "Popular" and Modernity: A Biographical Musical Project by Claudio Santoro during 1947 and 1957 by Cesar Maia Buscacio, Virgínia Albuquerque de Castro Buarque

“…Nevertheless, in this article we reflect on how Santoro's epistolary and autobiographical writing that articulates some of his musical pieces--without disregard to the this aesthetic-ideological connection--promoted in fact a triple imbrication: the reiteration of neoclassical elements; the insertion of musical expressions associated to subalternized groups in Brazil (“batuques”, “frevos”, etc.) from the viewpoint of the exotic and/or the folklore; and the concomitance of everyday urban and industrial sounds on his cinematic soundtracks. Accordingly, Claudio Santoro represents a composer of singular importance, because through him it is possible to interpret the combinatory possibilities of music, sometimes quite unusual and performative in its relationship to culture, history and biographical pathways. …”
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Leave any noise at the signal : participation art online by Frid-Jimenez, Amber

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Semiotic Of Sound Technique Impacting the Understanding In Horror Genre Short Film “hawa” (2016) by Teng, Wilynie Miau Le, M. Fazmi Hisham

“…In the context of multimedia content analysis and indexing, qualitative methodologies have already been applied to horror film soundtracks. It was decided to use a qualitative research strategy, and more precisely, a hybrid technique that combines thematic analysis with semiotics content analysis. …”
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Filmed Love Letters: The Dialogism and Intertextuality of Lost in Translation and Her by Travis R. MERCHANT-KNUDSEN

“…Jonze and Copolla’s public and private relationship with each other are reflected in their respective films; the writing, settings, soundtracks, and cinematography reveal a dialogic conversation between the two filmed letters that both ask questions and begin to produce their answers to understand the complicated nature of love and relationships. …”
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Learning visual models from paired audio-visual examples by Owens, Andrew (Andrew Hale)

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Tasty sounds: crossmodal associations between chemosensory and auditory stimuli by Crisinel, A

“…Finally, the third goal was to evaluate the influence the congruence of auditory stimuli might have on the perception of simultaneously-presented chemosensory stimuli. Background soundtracks were shown to influence ratings of a food item on the bitter-sweet continuum. …”

Speed Biases With Real-Life Video Clips by Federica Rossi, Elisa Montanaro, Claudio de’Sperati, Claudio de’Sperati

“…Manipulating display size or adding arbitrary soundtracks did not modify these speed biases. Estimated speed was not correlated with estimated duration of these same video clips. …”
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Automatic recognition of murmurs of ventricular septal defect using convolutional recurrent neural networks with temporal attentive pooling by Jou-Kou Wang, Yun-Fan Chang, Kun-Hsi Tsai, Wei-Chien Wang, Chang-Yen Tsai, Chui-Hsuan Cheng, Yu Tsao

“…Heart sounds from 51 subjects with VSDs and 25 subjects without a significant heart malformation were obtained in this study. Subsequently, the soundtracks were divided into different training and testing sets to establish the recognition system and evaluate the performance. …”
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