Musical Platonism in Modern Culture by Edmund J. Goehring

“…The main objective of “The Soundtracking of America” (March 2000) is to topple music from its present-day position of cultural supremacy. …”
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Holistic Marketing and Digital Technologies in the Fashion Industry by Bondarenko Olena S.

“…The fashionable Ukrainian brands labels incorporate soundtracks and, making use of augmented reality, turn into air raid sirens very alike to the alarms that howl in Ukrainian cities every now and then.…”
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Songlines Are for Singing: Un/Mapping the Lived Spaces of Travelling Memory by Les Roberts

“…The interviews were designed to explore the way peoples’ musical pasts—memories of listening to music in the domestic home, for example, or attendance at concerts and festivals, music as soundtracks to journeys, holidays or everyday commutes to work or school, music at key rite of passage moments—have coloured and given shape to the narratives that structure a sense of embodied selfhood and social identity over time. …”
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Understanding Specific Contexts of Antiretroviral Therapy Adherence in Rural South Africa: A Thematic Analysis of Digital Stories from a Community with High HIV Prevalence. by Astrid Treffry-Goatley, Richard Lessells, Pam Sykes, Till Bärnighausen, Tulio de Oliveira, Relebohile Moletsane, Janet Seeley

“…Through an inductive thematic analysis of twenty story texts, soundtracks and drawings, we explored experiences, understandings, and contexts of the participants and identified potential barriers and facilitators for those on lifelong treatment. …”
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樂. Melody of love. by Chan, Eunice Wan Wai., Koh, Bee Kwee., Tan, Shi Hui., Wu, Charmaine Jiawei.

“…The use of music in Melody of Love serves not just as simple background music to create the film mood; various soundtracks were also specially composed to better express the main theme of heritage preservation through the use of traditional instruments in most melodies. …”
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The Essence and Specificity of European Standard R128 Implementation on Television and in Radio Broadcasting by Anatolii Ananiev, Ihor Barba, Serafym Zheliezniak

“…In domestic science, for the first time, a thorough analysis of the essence of the recently published European R128 standard for television, radio broadcasting have conducted, which normalizes the list of sound characteristics, among which the average sound level, or the volume of the program, as the authors of the standard note; under a new angle of view the peculiarities of its functioning based on the general laws of acoustics, and the specifics of the introduction of the standard, the role in the creative work of the sound mixer when creating soundtracks for television films and programs are revealed. …”
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Task Context Influences Brain Activation during Music Listening by Andjela Markovic, Jürg Kühnis, Lutz Jäncke, Lutz Jäncke, Lutz Jäncke

“…We recorded high-density EEG during the playing of four well-known positively experienced soundtracks in two subject groups. One group started with the L condition and continued with the LR condition (L → LR); the second group performed this experiment in reversed order (LR → L). …”
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The "New" sounds of the slap-of-the-stick : Termite Terrace (1937-1943) and the slapstick tradition by Lombana Bermudez, Andres Alberto

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Filming the World’s End. Images of the Apocalypse in Lars von Trier’s "Epidemic" and "Melancholia" by Danielle Verena Kollig

“…To that extent, the article inspects the films’ settings, their soundtracks, as well as their mise-en-scenes’ coloring. …”
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解析电视剧《三生三世十里桃花》中的桃花意象 = Analysis of peach blossoms imagery in Chinese drama Eternal Love by 张欣恩 Teo, Sin En

“…The primary focus of this thesis will be set on Eternal Love, analysing from the perspectives of the characters, plots, backdrops, props and soundtracks of the drama. Through these different aspects, this thesis aims to research on the manifestations and love, refuge and women’s beauty related multi-faceted significances of peach blossoms acting as ‘overall’ imagery and ‘well-known’ imagery in the drama. …”
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La lingua del cinema italiano d'animazione by Daria Motta

“…A third group is constituted by Enzo d’Alò’s productions, in which auditory elements, both related to soundtracks and to spoken language, play a central role and in which language is very rich for its lexicon and for the mixture of varieties and styles.…”
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Le atmosfere di Lucia Romualdi by Matilde Amaturo

“…Her </span><em><span style="font-size: medium;">oeuvre</span></em><span style="text-decoration: line-through;"><span style="font-size: medium;">is</span></span><span style="font-size: medium;"> basically </span><span style="font-size: medium;">focuses</span><span style="font-size: medium;"> on the relationship between space, music and light, and so she creates performances </span><span style="font-size: medium;">made of</span><span style="font-size: medium;"> optical equipments which turn on and off according to musical rhythms, </span><span style="font-size: medium;">that are</span><span style="font-size: medium;"> taken not only from original sound scores, but also from old movies soundtracks and </span><span style="font-size: medium;">that</span><span style="font-size: medium;">are mostly</span><span style="font-size: medium;"> structured on the reading of mathematical rules of solids and voids which do inspire her extremely unusual selected locations. …”
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Plateau by Png, Hui Min

“…Y — a music score done by Hans Zimmer for the movie Interstellar, is one of the soundtracks that inspires me and still leaves me goose bumps even till now. …”
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“THE RACKED PIANOFORTE” AND “THE GREAT SILENT CINEMA” / «ЗАТРАВЛЕННОЕ ФОРТЕПИАНО» И «ВЕЛИКИЙ НЕМОЙ» by BORODIN BORIS B. / БОРОДИН Б.Б.

“…Using pieces from photoplay music collections, as well as from popular classical melodies and contemporary dance music, illustrators compiled their “soundtracks”, linking them by composed or improvised parts. …”
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My cyber self: identity presentation on TikTok by Kateryna Karpova, Oksana Borymska

“…The videos are analyzed by applying Critical Discourse Analysis and, in particular, Multimodal Discourse Analysis as frameworks for critical examination of verbal and nonverbal (images, soundtracks, clothes, etc.) means as well as contextual and intertextual structures of the TikTokers' texts aimed at online self-expression and identify-presentation. …”
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