Due note di credibilità. John Williams e Lo squalo by Emilio Audissino

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Introduzione. La "compilation soundtrack" come ipotesi di lavoro sulla storia della musica nel cinema italiano by Maurizio Corbella

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Música en la guerra contra el terrorismo: el soundtrack de la tortura estadounidense by Jorge Loeza

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A bittersweet symphony: Systematically modulating the taste of food by changing the sonic properties of the soundtrack playing in the background by Crisinel, A, Cosser, S, King, S, Jones, R, Petrie, J, Spence, C

“…The participants in the present study evaluated four pieces of cinder toffee while listening to two auditory soundtracks, presented in a random order. One soundtrack was designed to be more crossmodally (or "synaesthetically") congruent with a bitter-tasting food whereas the other soundtrack was designed to be more congruent with a sweet-tasting food instead. …”

Audio postproduction for digital video / by 215553 Rose, Jay

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Audio postproduction for digital video [compact disc] / by 215553 Rose, Jay

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Affordance to Kill: Sound Agency and Auditory Experiences of a Norwegian Terrorist and American Soldiers in Iraq and Afghanistan by Victor A. Stoichita

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The music of 2001: A Space Odyssey and the sublime object of cinema by Pedro Groppo

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The Discovery of Brazil Suites by Villa-Lobos and the Soundtrack of the Motion Picture by Humberto Mauro: Bricolage and Sequentiality in the Construction of an Audiovisual Narrative by Tatyana de Alencar Jacques

“…This article seeks to understand the procedures used by Villa-Lobos and Humberto Mauro to construct the soundtrack for the motion picture Discovery of Brazil (1937). …”
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“I am what I am. I am my own special creation”. The trans-genre soundtrack of Paris Is Burning by Costanza Rovetta

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Analisis Komposisi Soundtrack Epic “You See Big Girl” Karya Hiroyuki Sawano dalam Serial Animasi Attack on Titan by Metta Muliani

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Artistic Symbiosis: Orson Welles’s Othello (1951) as Cinematic Opera by Fátima Chinita

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Recording and Modeling: On the Desire for Presence in Historical Documentaries by Öhner, Vrääth

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Angels, Guests and Sadists: On-Screen Poetry in the Cinema of Pier Paolo Pasolini by Thomas Allen

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The urban soundscape in sci-fi cinema by Alejandro Contreras Koob, Albina Boyarkina

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Audio History of Film: Introduction by Pauleit, Winfried, Greiner, Rasmus, Frey, Mattias

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«Io sto bene, io sto male, io non so cosa fare». Generazione X, alternative rock e film di formazione anni Novanta by Maria Teresa Soldani

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How Soundtracks Shape What We See: Analyzing the Influence of Music on Visual Scenes Through Self-Assessment, Eye Tracking, and Pupillometry by Alessandro Ansani, Alessandro Ansani, Marco Marini, Marco Marini, Francesca D’Errico, Isabella Poggi

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Morag J. Grant and Férdia J. Stone-Davis (éds.), The Soundtrack of Conflict: The Role of Music in Radio Broadcasting in Wartime and in Conflict Situations by Huw Hallam

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Un "dj set" d'autore. Pratiche compilative nel cinema di Paolo Sorrentino by Paola Valentini

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