Le rôle du temps dans les courts métrages publicitaires des opérateurs de téléphone portable by Anita Saleh Bolourdi

“…Can one establish a relationship between time frames, whether accompanied by moments of silence or a soundtrack, and nascent sensations and meanings among viewers of television advertising? …”
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The love of details: watching <i>Breaking Bad</i> by François Jost

“…This spectator should be able to analyze the details of image and soundtrack to understand or taste the series. …”
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I Me Mine: Artistic Self/Artistic Persona by Glenn D'Cruz

“…Most of the subjects are artists represented in the current exhibition, but the disjunction between sound and image makes it difficult to categorically identify the authors of the sound bites on the work’s soundtrack. Designed to function as an introduction to the themes and issues generated by the Self/Persona relationship in the nascent field of Persona Studies, the work is also concerned with the presentation of the artistic self, and the ‘loss of self’ that may or may not occur as a consequence of artistic practice. …”
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Littérature et chanson, un dialogue stratégique pour la classe de français by Jean-Louis Dufays

“…The didactic study of the song, however, requires a specific analytical grid that both distinguishes and articulates the analysis of the text, the soundtrack and the visual performance. This triple grid is illustrated by the analysis of two songs, "Sur un prélude de Bach" by Maurane and "Carmen" by Stromae. …”
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Johnny Dorelli: "l'idolo biondo delle signore". Da crooner dell'Italia del boom a corpo della commedia erotica italiana by Giulia Francesca Muggeo

“…“Come perdere una moglie... e trovare un’amante” and “Giorgio”, Dorelli’s LP which contains part of the soundtrack, will be used as a specific case study and also as a peculiar landmark in actor-singer’s artistic life.…”
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Clamore sublato : le bruit de la guerre by Paul François

“…In the first place, it examines what can be described as the ‘soundtrack’ of a conflict, and especially the different uses of the human voice (diplomatic and religious aspects, part played by fama, rumor and nuntii, linguistic and phonologic aspects). …”
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LSO Live: An Entrepreneurial Venture by Travis Newton

“…The examination includes a history of the forward-looking LSO, including: the player-owned model of the orchestra; the ensemble's long tradition of film soundtrack recording; the launch of their in-house label, LSO Live; the organization's current plans for a new “Centre for Music”; the LSO's efforts to engage audiences through digital audio and video content; and challenges facing the orchestra as they “push forward” into new territory while also capitalizing on their 102 year history. …”
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GÓRSKA, Katarzyna. (UPF) - Evidencias y contraintuiciones en la traducción indirecta audiovisual. El caso particular del documental ‘Komeda. La banda sonora d´una vida’. by Katarzyna GÓRSKA

“…Tras un análisis pormenorizado de los problemas de traducción detectados en la cadena de subtitulación polaco-inglés-catalán de la película documental Komeda. A soundtrack for a life, se evidencia como, contraria-mente a lo que se podría esperar, algunas de las inexactitudes presentes en la traducción puente no se arrastran a la traducción de llegada.…”
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Gritos en plastilina. El dolor humano a través de la animación y la música by Adrián Encinas Salamanca

“…The filmmaker and film professor Coke Rioboo rubs salt again into the wound with The noise of the world, thanks to an excellent clay animation technique on glass and a deep soundtrack, which come together in a short film that is winning prizes at festivals and receiving great reviews.…”
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Mobile Music Listening – an aesthetic and aestheticizing practice by Nina Gram

“…How are we to conceptualize the experiences of mobile music listeners as they move through the city listening to a private soundtrack? The phenomenon has been described as an aestheticization of urban space (Bull, 2002, 2005, 2007; Hosokawa 1984 a.o.), and this perspective seems to focus on the listeners’ wish to alter and manipulate the impression of the surroundings. …”
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Vibrotactile Captioning of Musical Effects in Audio-Visual Media as an Alternative for Deaf and Hard of Hearing People: An EEG Study by Maria J. Lucia, Pablo Revuelta, Alvaro Garcia, Belen Ruiz, Ricardo Vergaz, Victor Cerdan, Tomas Ortiz

“…We explore an alternative method using vibrotactile stimulation as a possible channel to transmit the emotional information contained in an audio-visual soundtrack and, thus, elicit a greater emotional reaction in hearing-impaired people. …”
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The Navigators de Ken Loach: Une analyse de la traduction audiovisuelle by Isabelle Sutton

“…This thesis aims at analyzing the way in which the film is translated into French : how can dubbing, a technique that disguises a film by giving new voices to the actors and destroys the soundtrack by replacing it with a new one, keep a sense of realism? …”
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Video Links from Prison: Permeability and the Carceral World by Carolyn McKay

“…These interviews raised many issues including audio permeability: a soundtrack of incarceration sometimes infiltrates into the prison video studio and then the remote courtroom, framing the prisoner in the context of their detention, intruding on legal process, and affecting prisoners’ comprehension and participation.…”
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A good old text always is a blank for new things. L’Inferno televisivo di Peter Greenaway e Tom Phillips by Giulia Govi

“…Within the television frame, thanks to Paintbox graphics, he reconstructs an hypertextual layout which reminds of renowned scholastic editions of the text, but also combine orality, written text, documentary images with original ones, soundtrack and pop-up boxes with extra-diegetic comments. …”
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“Key to the highway”: blues records and the great migration by Louis Mazzari

“…The theme is the way black southerners used the blues as the soundtrack of the Great Migration. In a sense, the Delta blues was a musical travel narrative for tens of thousands of people who were leaving the rural South for an unknown, modern and industrial future. …”
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INFLUENCE OF CONSTRUCTIVE AND TECHNOLOGICAL DEFECTS ON COAXIAL RADIO-FREQUENCY CABLE IMPEDANCE by G.V. Bezprozvannych, A.M. Boyko, O.G. Kessaev

“…The cable working frequency spectrum spreading to 1000 MHz along with digital television and soundtrack signals transmission and high-definition television introduction causes more rigid requirements for wave impedance and, consequently, for the cable design. …”
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Pratiques de réception des images musicalisées télévisuelles sur les réseaux socionumériques. Analyse des tweets des téléspectateurs de l’émission Les Reines du shopping (M6)... by Guylaine Gueraud-Pinet

“…The soundtrack of French TV programs based on preexisting music is part of the daily musicalization. …”
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Home Video Philology: Methodological Reflections by Valerio Sbravatti

“…Such variances typically are lack of film grain (resulting from digital noise reduction), differences in color grading, and soundtrack remixing. This can depend on the fact that the technicians who work on home video releases are unprepared, or are instructed to adjust the look and the sound of the film to the current taste, or because the filmmakers changed their mind and requested some modifications. …”
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The Ballet of the Nations: A film by Impermanence by Roseanna Anderson, Joshua Ben-Tovim

“…Impermanence’s film incorporates original dialogue inspired by Lee’s text, among intricate and stylised dance pieces, with production design by Pam Tait, an original soundtrack by composer Robert Bentall and cinematography by Jack Offord. …”
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Cultural markers in the Brazilian film O auto da Compadecida and its subtitles in English by Marcela Monteiro, Adriana Zavaglia

“…The difficulty that cultural markers generate during various translation processes is evident and is accentuated in audiovisual works, in which different elements converge (text, image, sound design, soundtrack, body language, among others). To contribute to its analysis in this context, we used the concept of cultural marks and markers (Reichmann and Zavaglia, 2014), translational modalities (Aubert, 2006b), and considered translation techniques (Nunes, n.d.) to arrive at the typology presented here, followed by examples and illustrations. …”
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