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Depiction of slaves in Django Unchained (2012) in the mould of spaghetti Western and blaxploitation genres / Muhammad Ikhwan Radzali
Published 2015“…This thesis analyses the depiction of African-American slaves in writer / director Quentin Tarantino’s Django Unchained (2012), a Western film known for its portrayal of the African-American slave trade era in the mould of Spaghetti Western and Blaxploitation film genres. The topic of this thesis is problematic in a sense that certain audiences and a fellow well-known filmmaker are put off by Tarantino’s sensationalist approach when it comes to dealing with a taboo topic such as African-American slavery through its choice of genres. …”
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Uma pausa para o cigarro: as interações com o cigarro no Spaghetti Western de Sergio Leone
Published 2019-06-01Subjects: “…Spaghetti Western…”
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Imitacja, rekonstrukcja, propaganda. Zimnowojenne wędrówki europejskiego westernu
Published 2017-06-01Subjects: Get full text
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Influencia del spaguetti-western en Malditos Bastardos de Quentin Tarantino
Published 2010-01-01Subjects: Get full text
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O Estilo Sergio Leone no faroeste italiano
Published 2016-07-01“…Resenha de: CARREIRO, Rodrigo. Era uma vez no spaghetti western - O estilo de Sergio Leone. São José dos Pinhais, PR: Editora Estronho, 2014, 304 p.…”
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Spiel mir das Lied vom Leben: Zum Tod des italienischen Komponisten Ennio Morricone
Published 2020-10-01“…Ob Spaghetti-Western oder Kammermusik: Der legendäre Komponist Ennio Morricone war Profi durch und durch. …”
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The Wandering Character in the Coen Brothers’ Films: When the Southern Gothic Meets the Western
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Journeys – an introduction
Published 2012-08-01“…Additionally, his books on the Indian Winnetou were made into film being the indirect cause of the spaghetti-western genre. (Frayling, 1998) This issue reflects the broad definition of journeys in the call, in our opinion in a positive way. …”
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Era uma vez... a revolução: a trajetória de Sergio Leone nas páginas da Cahiers du Cinéma
Published 2016-07-01“…A maior parte dos críticos cinematográficos dos anos 1960-70 minimizou ou despre- zou o valor estético dos filmes vinculados ao ciclo de spaghetti westerns, produzidos naquela época no eixo Itália-Espanha. …”
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