The New Spaghetti Western: the Southern by Arianna Mancini

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Spaghetti Western, Rádios Livres e os Limites do Alternativo no Audiovisual by Rafael Duarte Oliveira Venancio

“…Esse é o caso dos Spaghetti Western, filmes de faroeste dos anos 1960, com atores italianos filmados, na grande maioria, na Espanha, mas com enredo imitando situações dos Estados Unidos para disputar o mercado desse país. …”
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Radical Frontiers in the Spaghetti Western: Politics, Violence and Popular Italian Cinema, by Austin Fisher by Mike Phillips

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O dia da desforra: a trajetória do spaghetti western na cultura midiática by Rodrigo Carreiro

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THE SOUTHS OF “THE WEST” : GEOCORPOGRAPHICAL ASSEMBLAGES OF PLANTS, COLONIALISM AND RACE IN SERGIO LEONE’S METAFIGURAL SPAGHETTI WESTERNS. by Joseph Pugliese

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Influencias de la música para western de Dimitri Tiomkin en el spaghetti western by Ángel J. Estebaranz, Lucía Pérez García

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Depiction of slaves in Django Unchained (2012) in the mould of spaghetti Western and blaxploitation genres / Muhammad Ikhwan Radzali by Radzali, Muhammad Ikhwan

“…This thesis analyses the depiction of African-American slaves in writer / director Quentin Tarantino’s Django Unchained (2012), a Western film known for its portrayal of the African-American slave trade era in the mould of Spaghetti Western and Blaxploitation film genres. The topic of this thesis is problematic in a sense that certain audiences and a fellow well-known filmmaker are put off by Tarantino’s sensationalist approach when it comes to dealing with a taboo topic such as African-American slavery through its choice of genres. …”
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Uma pausa para o cigarro: as interações com o cigarro no Spaghetti Western de Sergio Leone by Delson de Matos Gomes, Luiz Antonio Vadico

Subjects: “…Spaghetti Western…”
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Imitacja, rekonstrukcja, propaganda. Zimnowojenne wędrówki europejskiego westernu by Michał Bobrowski

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Ruptura e innovación en el nuevo cine histórico-gauchesco argentino: El desierto negro (Gaspar Scheuer, 2007) by Maria Constanza Grela Reina, Ana Laura Lusnich, Victoria Julia Lencina

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Masculinity, Parody and Propaganda in the “Transylvanians” Trilogy by Doroholschi Claudia Ioana

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Spaghetti Shakespeare: „Johnny Hamlet” and the Italian Western by Darlena Ciraulo

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Influencia del spaguetti-western en Malditos Bastardos de Quentin Tarantino by Vanesa F. Guzmán Parra, José Roberto Vila Oblitas

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WESTWORLD: FROM EVOLUTION TO REVOLUTION OF THE WESTERN / «МИР ДИКОГО ЗАПАДА». ОТ ЭВОЛЮЦИИ К РЕВОЛЮЦИИ ВЕСТЕРНА by ZORIN ARTEM N. / ЗОРИН А.Н.

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O Estilo Sergio Leone no faroeste italiano by Filipe Falcão

“…Resenha de: CARREIRO, Rodrigo. Era uma vez no spaghetti western - O estilo de Sergio Leone. São José dos Pinhais, PR: Editora Estronho, 2014, 304 p.…”
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Spiel mir das Lied vom Leben: Zum Tod des italienischen Komponisten Ennio Morricone by Wolfram Goertz

“…Ob Spaghetti-Western oder Kammermusik: Der legendäre Komponist Ennio Morricone war Profi durch und durch. …”
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Un western al secondo grado: la forma parodica in Django Unchained by Stefano Bosco

“…Il film era peraltro atteso da lungo tempo; Tarantino parlava del progetto già nel 2007, pregustando in quello stesso anno la sua immersione nel genere con la partecipazione, in veste di attore (nei panni del pistolero Piringo), in Sukiyaki Western Django, omaggio allo spaghetti western diretto dal giapponese Takashi Miike.…”
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Developing a Diagnostic Brain Imaging Protocol for Recent Onset Psychosis which Embodies Principles of Predictive Coding and Free Energy by Michael Breakspear

“…I will outline the conceptual and computational bases and early experimental results thus far obtained, including a canonical example of paranoia and theory of mind in a spaghetti western.…”
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The Wandering Character in the Coen Brothers’ Films: When the Southern Gothic Meets the Western by Julie Assouly

“…If the image of the lonesome cowboy traditionally haunts classical Westerns, the bounty hunter chasing outlaws remains a key character of the spaghetti Western, and revisionist Westerns in general. …”
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Journeys – an introduction by Rune Andersen, Knud Knudsen

“…Additionally, his books on the Indian Winnetou were made into film being the indirect cause of the spaghetti-western genre. (Frayling, 1998) This issue reflects the broad definition of journeys in the call, in our opinion in a positive way. …”
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