The mediated live experience and the spatial reconfiguration of the sport act by Diana Luiza Dumitriu

Subjects: “…scattering model of spectatorship…”
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Cinéma et urbanité à Tunis sous le protectorat français by Morgan Corriou

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The final girl on the freeway: Adaptation and appropriation of a fairy tale by James Kloda

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Stitching the Gaze: Meaning and Affect in Caroline McQuarrie’s Swerve by Ish Doney

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Spectatorship, Dead Bodies, and Medical Discourses in <i>Celestina</i> by Samuel Sánchez y Sánchez

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Cinematic darkness: dreaming across film and immersive digital media by andrea pinotti, Lily Hibberd

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The Operatic Ear by Megan Steigerwald Ille

Subjects: “…Mediation, Aurality, Spectatorship, Opera, Headphones…”
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Book Review of Janneke Wesseling’s The Perfect Spectator: The Experience of the Art Work and Reception Aesthetics by Leen Verheyen

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“Gas Her”: Deviant paradigms of identification in interactive spectatorship by Marina Hassapopoulou

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The Flesh Made Word: Bodily Inscription and Religion in <i>Celine et Julie Vont en Bateau</i> by McNeil Taylor

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Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre by Gustavo Vicente

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Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre by Gustavo Vicente

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Agency and Otherness in Teresa Margolles’ Aesthetic of Death by Julia Banwell

Subjects: “…spectatorship…”
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Carceral Fantasies: Cinema and Prison in Early Twentieth-Century America, by Alison Griffiths by Gwenda Young

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Real Bodies in (Un)real Spaces: Space, Movement, and the Installation Sensibility in Lech Majewski’s The Mill and the Cross by Chakravorty Swagato

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On False Intimacies and Anti-Cathartic Modalities of Being in the Digital Performances of Crisis by Yana Meerzon

Subjects: “…digital spectatorship…”
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Media Evolution, “Double-edged Sword” Technology and Active Spectatorship: investigating “Desktop Film” from media ecology perspective by Jing Yang

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Memories in Decay: 360º Spatio-Temporal Explorations of the Past by Brecht Debackere

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Uncomfortable Seats: “Enactive Spectatorship” Explored through Sarah Kane’s Blasted / Rahatsız Koltuklar: Sarah Kane’in Havaya Uçuruldu (Blasted) Oyununda “Bedeni Etkin İzleyicilik... by Tuba Ağkaş Özcan

Subjects: “…enactive spectatorship…”
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Live-streaming for frontline and distant witnessing: A case study exploring mediated human rights experience, immersive witnessing, action, and solidarity in the Mobil-Eyes Us proj... by Sam Gregory

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