<b>Uma contribuição à fraseodidática do francês como língua estrangeira</b> - DOI: 10.4025/actascilangcult.v30i2.4987 by Rosemeire Selma Monteiro-Plantin

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Los verbos realizativos, la situación comunicativa y los actos declarativos de Searle by Asela Reig Alamillo

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Da Lilliput a Waterloo. Šklovskij, Celati e il canone dello straniamento by Andrea Rondini

“…The Italian writer resumes this concept in his analyses dedicated to Swift and Stendhal, linked to key themes of his work, starting from the deconstruction of logocentric thinking systems. …”
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Ouvertures et tensions liées à la conception d'un système d'évaluation en langues, numérique, multilingue et en ligne, dans une perspective communicative et actionnelle by Cristiana Cervini, Marie-Pierre Jouannaud

“…Self is being developed as part of the Innovalangues project at Stendhal University, Grenoble, France (Masperi, 2012).…”
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Narcyz zakochany sam w sobie by Jacek Lipiński

“…He reads the analyzed review in the context of the history of dance criticism in Poland in the eighteenth and nineteenth centuries and sets it against assessments of Duport's talent formulated by Jean-George Noverre, Julien-Louis Geoffroy, and Stendhal. The artist's relationships with Marguerite Joséphine Weymer (a.k.a. …”
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Entre critique et poésie, les voies d’une écriture : la Cantata per Maria Magdalena (2017) de Jean-Yves Casanova by Philippe Gardy

“…Rooted in the strictly Occitan side of this vast tradition, from Burles at the end of the 16th century to Mistral, the Casanova cantata is also a very personal text, echoing the author’s poetic and romantic work, not to mention his critical production (most recently La Perte: Stendhal, Proust, Céline, Pau, La Pantiera, 2018).…”
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LA MODALISATION VERBALE: ÉTUDE COMPARATIVE by Ala Eddine Bakhouch

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Images de soi dans un blog professionnel d'enseignants stagiaires by Thierry Soubrié

“…Since September 2004, such a scheme has been in operation at Stendhal University in Grenoble, in the 2nd year of a postgraduate course in French-as-a-foreign-language. …”
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Uniunea Europeană: o şansă şi pentru industria lemnului în România? [European Union, a chance for the Romanian wood industry?] by Teușan S, Teușan A

“…In paper are reviewed some initiatives rela-ted to the wood industry - the Wood Charta - a German governmental one, the Cluster Model - an experience from Nordrhein-Westfalen and the Stendhal project - from the Sachsen-Anhalt land. Also, the Forest Stewardship Council (FSC) and Pan-European Forest Council (PEFC) is presented too. …”
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In Search of a Feminist Theory of Expression by Luz Ascarate

“…For his part, in his course “Le problème de la parole”, Merleau-Ponty, elaborates a reflection on language that begins with the consideration of the scientific and logical naivety of language, in relation to Saussure's linguistics, and ends with the comparison between Proust and Stendhal. In this last part, he proposes that literature, as a creative language and an expressive operation, is both true life, connected with the ontological foundation of what exists, and phenomenology that shows the institution of that life. …”
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Gammes de mémoire by Dominique Viart

“…But literature itself, which transcribes the experience, brings many elements to the knowledge of this function: whether we think of the genre of Memoirs, of Proust's “involuntary memory” or of “Brulard's syndrome”, according to Stendhal. I propose to present an analysis of the “ranges of memory” that contemporary French literature makes us discover, focusing on the most original ones, according to a double approach: methods of execution and works which deploy them. …”
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O gênero epistolar: gênese das obras, gênese de si by José-Luiz Diaz, Ligia Fonseca Ferreira

“…Destacam-se os “titubeios”, os horizontes estéticos ainda em formação, os desejos e as ambições individuais; tais diálogos, abrigados nas correspondências de escritor (Stendhal, Balzac, Sand, Musset, Flaubert, Zola, Mallarmé, Rimbaud etc.), emergem como elemento incontornável à compreensão dos processos de redação e, consequentemente, do espaço polifônico em que suas obras se produzem. …”
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La prière d’insérer : procédés intersémiotiques dans Le Rouge et le Noir (1989) de Claude Prey by Clara Roupie

“…Après Les Liaisons dangereuses (1974), il s’attelle au Rouge et le Noir de Stendhal en 1989. À l’aide de la théorie genettienne sur la transtextualité et du barbarisme d’intermusicalité, nous exposerons ce que nous appelons la prière d’insérer, c’est-à-dire le réseau ténu d’interconnexions transtextuelles et intermusicales dans l’adaptation que propose le compositeur, pour mettre en lumière une réflexion nécessaire sur l’œuvre originale et son passage de l’écrit au visuel, du livret à la scène.…”
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O FUNERAL DE GIRODET E A DERIVA ROMÂNTICA by GUILHERME SIMÕES GOMES JÚNIOR

“…RESUMO O funeral de Girodet é tomado como ponto de inflexão no advento do romantismo, marcado por embates que envolveram Delécluze, Stendhal, Auger, Gros, Ingres, Delacroix. Busca-se demonstrar a centralidade do ateliê de David na emergência da nova orientação. …”
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JULIEN SOREL: LE PRÉCURSEUR DE L’HOMME NOUVEAU DE L’EUROPE ET LA VICTIME D’UNE COMBINAISON CHROMATIQUE FATALE by USM ADMIN

“… Le roman de référence de Stendhal „Le Rouge et le Noir” met en évidence une tendance nommée „beylisme”, par l’intermédiaire de laquelle le personnage central, Julien Sorel, reprend, dans une certaine mesure, les caractéristiques de la personnalité stendhalienne. …”
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À propos de la Manía de citas y de epígrafes (1832) de Mariano José de Larra by Antoni Ferrer

“…Mais un examen plus précis de ces deux pages, assorti d’une comparaison avec la manie citationnelle fantaisiste de Stendhal, permet de penser que nous sommes en présence d’un texte facétieux qui, tout en laissant croire que l’objet de la moquerie est le lecteur, se moque en réalité des censeurs qui passaient au peigne fin les textes satiriques tels que ceux du Pobrecito Hablador, à une époque – la fin de l’Ancien Régime – où sévit encore le pouvoir absolu de Ferdinand VII.…”
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Le maître et son disciple dans Manuel de l’arriviste d’Henri Chateau ou comment devenir un arrivé by Anna Hanotte-Zawiślak

“…Le sujet inscrit l’ouvrage dans ce que nous appelons le roman de l’arriviste, une catégorie des romans réalistes développées au XIXe siècle à partir des personnages de Stendhal et de Balzac. Pourtant, l’organisation du récit est singulière et interroge le principe même de l’arrivisme, conçu sur l’individualisme. …”
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Estética de la revolución mimética: política y literatura en La philosophie dans le boudoir y Aline et Valcour, de Sade by Julieta Videla Martínez

“…The exposition of this aesthetic criticism in Sade’s literature allows us to sustain that the aesthetic revolution in the face of the classical representative regime was already being cultivated before the literary creation of Stendhal, Balzac, Flaubert and Victor Hugo, as suggested by Auerbach and Rancière. …”
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Astolphe de Custine and the querelle d'Olivier: gossip in restoration high society by Counter, A

“…This article explores the relationship between gossip and sexuality in early nineteenth-century France, through consideration of the biography of Astolphe de Custine and the novels of the so-called querelle d'Olivier: Madame de Duras's Olivier, ou le secret (c. 1821); Henri de Latouche's Olivier (1826); and Stendhal's Armance (1827). These three romans à clé were inspired, at least in part, by two events in Custine's life: his breaking of an engagement to Mme de Duras's daughter Clara in 1818, and his ‘outing’ as a homosexual in 1824, when he was brutally beaten for having propositioned a guardsman. …”

la psychobiographie et son rôle dans la création littéraire by Rim Chamie

“…Notre étude tente à analyser les éléments psychobiographiques dans certaines créations littéraires, notamment celles de Stendhal, de Kafka et d'Ionesco, et à aborder tous les aspects qui en résultent. …”
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