STEVE REICH’S STYLE AND COMPONISTIC CONCEPTS REFLECTED IN TEHILLIM SCORE by Alexandra BELIBOU

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The Order of Things. Analysis and Sketch Study in Two Works by Steve Reich by Twila Bakker, Pwyll ap Siôn

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Chroni(qu)es new-yorkaises : City Life de Steve Reich by Antoine CAZÉ

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“The Port Project”: “Counterviews” at “Approaching the water” (with “New York Counterpoint”, by Steve Reich) by Guillermo Aymerich Goyanes

Subjects: “…Painting/music/video, Counterviews, Steve Reich, art crossing, transdisciplinary art, pintura/música…”
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Reescritura Cinematográfica em Different Trains (Beatriz Caravaggio - Steve Reich - Kronos Quartet) by Rafael Tassi Teixeira

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Sumanth Gopinath / Pwill ap Siôn (Hg.), Rethinking Reich, New York: Oxford University Press 2019 by Tobias Robert Klein

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Two faces of mystification: the representation of the holocaust in Arnold Schoenberg's a survivor from Warsaw and Steve Reich's different trains by Mevorah Vera

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Dueto Ja Ne e Steve Lá by Alexandre Sperandéo Fenerich

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Minimalismo e Rave music attraverso Adorno. Ripetizione ed eterno ritorno dell’identico nella musica contemporanea by Alessandro Alfieri

“…The paper proposes a focus upon two tendencies of contemporary music; the first is Minimalism, movement represented by musicians like La Monte Young, Philip Glass and Steve Reich, the second one is the rave music (like techno), feature of popular culture and postmodernist age. …”
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Conversas com a música não ocidental: da composição do século XX para a formação do músico da atualidade by Ana Luisa Fridman

“…Com este foco, partimos da amostragem de procedimentos utilizados por Claude Debussy e Steve Reich para a proposta de um exercício de improvisação a partir de uma canção africana. …”
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Música e subjetivação by Victor de Oliveira e Silva Bueno, Antenor Ferreira Correa

“…A seguir, esses conceitos são utilizados na análise de três obras musicais, em destaque Proverb (1995), de Steve Reich. Compreendemos que as articulações entre música e psicanálise podem contribuir para ampliar modos de entendimento sobre como se formula a significação em música. …”
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Less is More, and More is Less, More or Less: The Historical Progression, Aesthetic Characteristics, and Physical Limitations of Minimalism by Sam Boer

“…In doing so, this article attempts to establish a broad understanding of the elements integral to minimalist music, with a special focus on the composers La Monte Young, Terry Riley, and Steve Reich. The works of Riley and Reich are compared to the works of visual artists Barnett Newman and Sol LeWitt in order to highlight the pivotal elements of the minimalist aesthetic, including repetition, simplicity, and, to borrow Cage’s term, “Unfixity.” …”
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Experiments in postcolonial reading: music, violence, response by Venter, C

“…</p> <p>The thesis examines different aesthetic and epistemological manifestations of the postcolonial, considering at length Steve Reich’s string quartet, <em>Different Trains</em> (1988), Philip Glass's opera, <em>Waiting for the Barbarians</em> (2005), and Philip Miller’s choral work, <em>REwind: A Cantata for Voice, Tape and Testimony</em> (2006). …”

Beat Hierarchy and Beat Patterns—From Aksak to Composite Meter by Aleksandra Vojcic

“…In his study of Steve Reich’s phase–shifting music, Richard Cohn points to a specific analytical challenge that transcends the repertoire at hand: “Given the relative poverty of our rhythmic terminology, the challenge for the theorist is to discover a means to characterize this material that is not only descriptively adequate, but also allows for exploration of its properties, its behavior under transformation, and its relations to other potential material” (1992, 149).1 This essay responds to Cohn’s call to action, singling out one of the many under–determined modes of rhythmic continuity in post–tonal music—(asymmetrical) composite meters. …”
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CMS.876 History of Media and Technology: Sound, the Minority Report -- Radical Music of the Past 100 Years, Spring 2006 by Coleman, Beth

“…The artists' work reviewed in the course includes selections from audio innovators such as the Italian Futurists, Edgard Varèse, John Cage, King Tubby, Brian Eno, Steve Reich, Afrika Bambaataa, Kraftwerk, Merzbow, Aphex Twin, Rza, Björk, and others.…”
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