The Girlfriend Experience (Steven Soderbergh) by Jesús Miguel Sáez-González

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Readapting Pandemic Premediation and Propaganda: Soderbergh’s <i>Contagion</i> amid COVID-19 by Kevin C. Moore

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Cinematic Memory and The Americanization of The Holocaust by Nelson Barbara A.

“…Steven Soderbergh’s The Good German (2006), while grounding itself in WWII, casts a wide net as it attempts to examine the role of memory, the difficulty of assigning guilt, determining justice, defining the past, and writing history. …”
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La persona de Matthew McConaughey au début des années 2010 : masculinité, hétérosexualité et blanchité liquides by Maureen Lepers

“…Using the tools of gender studies, star studies and critical white studies, it looks at four parameters – gender, sexual orientation, class and race – in four of McConaughey’s characters of the last decade: Magic Mike’s stripper Dallas (Steven Soderbergh, 2012), Killer Joe’s killer Ward (William Friedkin, 2012), the lonesome Mud in the movie of the same name (Jeff Nichols, 2012), and Rust, True Detective’s tortured but brilliant detective. …”
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Contágio: cinema, divulgação científica e o potencial preditivo da ciência by Luiz Felipe Fernandes Neves

“… Esta resenha aborda o filme Contágio (Contagion), longa-metragem norte-americano de 2011, com direção de Steven Soderbergh e roteiro de Scott Z. Burns. O filme acompanha a trajetória de disseminação de um vírus zoonótico a partir de Hong Kong para o resto do mundo. …”
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UNSPEAKABLE OTHERNESS—AN ESSAY ON THE FAILURE OF COGNITIVE AND EPISTEMIC COMMUNICATION TOOLS IN STANISLAW LEM’S SOLARIS by Sébastien Doubinsky

“…His most famous novel, was published in 1961, and was adapted twice for the big screen, first in 1971 by Andrej Tarkovski, and in 2002 by Steven Soderbergh. The plot revolves around the psychologist Kris Kelvin, who is sent on the planet Solaris to try to find out if it is possible to communicate with the alien ocean that covers almost all of its surface. …”
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Gender portrayal in dubbed and subtitled comedies by De Marco, Marcella

“…For this purpose, four US films are analysed: Working Girl (Mike Nichols, 1988), Erin Brockovich (Steven Soderbergh, 2000), Sister Act (Emile Ardolino,1992) and Mrs Doubtfire (Chris Columbus, 1993). …”