The Girlfriend Experience (Steven Soderbergh) by Jesús Miguel Sáez-González

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“Me mirabas”: Steven Soderbergh’s Latin America by Ernesto R. Acevedo-Muñoz

Subjects: “…Steven Soderbergh…”
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Readapting Pandemic Premediation and Propaganda: Soderbergh’s <i>Contagion</i> amid COVID-19 by Kevin C. Moore

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Kafka et le «kafkaïsme» : la référence à l’expressionnisme comme procédé de figuration de l’écrivain à l’écran (Kafka, de Steven Soderbergh,1991) by Alain Boillat

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Cinematic Memory and The Americanization of The Holocaust by Nelson Barbara A.

“…Steven Soderbergh’s The Good German (2006), while grounding itself in WWII, casts a wide net as it attempts to examine the role of memory, the difficulty of assigning guilt, determining justice, defining the past, and writing history. …”
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Does the quality of interlingual translation influence the quality of the intersemiotic translation? On the English language film adaptations of S. Lem's The Futurological Congress... by Majcher Agnieszka

“…The aim of this paper is to compare two English language film adaptations (by Steven Soderbergh and Ari Folman) with each other and with the books they are based on. …”
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Entre meios e formatos: diferentes maneiras de conhecer histórias e personagens da América Latina by Maria Ignês Carlos Magno

“…A Revolução Cubana registrada pelas lentes de Alberto Korda e a trajetória política de Ernesto Che Guevara, contada em três filmes – Diários de motocicleta, de Walter Sales, Che: Part One e Che: Part Two (A guerrilha), ambos de Steven Soderbergh, são exemplos utilizados na seção para a aplicação destes recursos.…”
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Of Genes and Germs: The Agenda of Health in Contemporary Hollywood by Elwin John

“…With the help of certain select texts, Steven Soderbergh Contagion (2011), Wolfgang Petersen’s Outbreak (1995), Juan Carlos Fresnadillo’s 28 Weeks Later (2007) and Marc Forster’s World War Z (2013), I explore the sabotage of a specific individual agency- the human body and the ensuing chaos and disorder. …”
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La persona de Matthew McConaughey au début des années 2010 : masculinité, hétérosexualité et blanchité liquides by Maureen Lepers

“…Using the tools of gender studies, star studies and critical white studies, it looks at four parameters – gender, sexual orientation, class and race – in four of McConaughey’s characters of the last decade: Magic Mike’s stripper Dallas (Steven Soderbergh, 2012), Killer Joe’s killer Ward (William Friedkin, 2012), the lonesome Mud in the movie of the same name (Jeff Nichols, 2012), and Rust, True Detective’s tortured but brilliant detective. …”
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Contágio: cinema, divulgação científica e o potencial preditivo da ciência by Luiz Felipe Fernandes Neves

“… Esta resenha aborda o filme Contágio (Contagion), longa-metragem norte-americano de 2011, com direção de Steven Soderbergh e roteiro de Scott Z. Burns. O filme acompanha a trajetória de disseminação de um vírus zoonótico a partir de Hong Kong para o resto do mundo. …”
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UNSPEAKABLE OTHERNESS—AN ESSAY ON THE FAILURE OF COGNITIVE AND EPISTEMIC COMMUNICATION TOOLS IN STANISLAW LEM’S SOLARIS by Sébastien Doubinsky

“…His most famous novel, was published in 1961, and was adapted twice for the big screen, first in 1971 by Andrej Tarkovski, and in 2002 by Steven Soderbergh. The plot revolves around the psychologist Kris Kelvin, who is sent on the planet Solaris to try to find out if it is possible to communicate with the alien ocean that covers almost all of its surface. …”
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Gender portrayal in dubbed and subtitled comedies by De Marco, Marcella

“…For this purpose, four US films are analysed: Working Girl (Mike Nichols, 1988), Erin Brockovich (Steven Soderbergh, 2000), Sister Act (Emile Ardolino,1992) and Mrs Doubtfire (Chris Columbus, 1993). …”

Every Little Thing He Does: Entrepreneurship and Appropriation in the "Magic Mike" Series by Broderick Chow

“…This essay analyses the theatricalized performance of stripping in the popular films Magic Mike (2013; dir. Steven Soderbergh) and its sequel, Magic Mike XXL (2015; dir. …”
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Conversación en torno a la autoría con Antxón Gómez, director artístico by Andoni Iturbe-Tolosa

“…Ha sido el creador de la dimensión plástica de Dolor y gloria (2019), La piel que habito (2011) o Julieta (2016) o Che: el argentino (2008), de Steven Soderbergh. Estudió Química, pero el azar hizo que irrumpiera con fuerza en el sector de la publicidad. …”
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The Psychos Are Coming, the Psychos Are Coming … They’re Already Here by Edmund Weisberg

“…American director Steven Soderbergh’s Contagion wastes no time in laying out the context of his film on the contemporary interconnectedness of the earth’s inhabitants and the concomitant susceptibility to catastrophe that such relationships imply. …”
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