Justification of panopticon in superhero movies: The Batman Movie by Azime Cantaş, Aytekin Can

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Success Factors Influencing Commercial Movies in the Hollywood Model and Limitations: Based on Superhero Movie Series by You Yueting

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“Justice Has a Bad Side”: Figurations of Law and Justice in 21st-Century Superhero Movies by Nicole Maruo-Schröder

“…Hence, the article argues, it is fruitful to read current superhero movies as both reflections of and comments on the post-9/11 legal and political landscape characterized by an ongoing state of exception and the resulting suspension of certain laws and civil rights. …”
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A Study of Promotion of Paganism in Superhero Movies through Stereotype Making of Colors (With an Emphasis on Batman Series of 1989-2012) by Zahra Hosseinabadi, M. Fanaei

“…To this purpose, one of the best Hollywood tools is the production of superhero movies because the popularity of these types of movies facilitates the delivery of the message to the audience. …”
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Comics and Graphic Novels: by Syeda Nadia Hasan

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Velázquez, Wagner and the Red Skull. Intermediality and the Genesis of Meaning in a Particular Scene of Captain America: The First Avenger by Nagy Dániel

Subjects: “…superhero movies…”
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¿Mozart era un mutante?: propuestas didácticas sobre la música preexistente en el cine de superhéroes. by Vicente Galbis López

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Of Movies and Money by Anika Saba

“…As a representation of the American film industry, the biggest film industry in the world, this paper will study the commercial aspects of the comic-based superhero movie The Avengers. Superhero movies often prove blockbuster hits and make mind-boggling amounts of money even though they have very loose plots and little artistic value besides the use of special effects. …”
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DISCOURSE MARKER ANALYSIS IN AVENGERS: ENDGAME MOVIE by Ana Nisa Ussolichah, Arindi Indra, Hesti Dwi Rahayu, Atsani Wulansari

“…This research uses analytical methods taken from Avengers: Endgame movie, directed by Anthony Russo and Joe Russo.Avengers: Endgame movie is a 2019 American Superhero movie based on the Marvel Comics superhero team by Avengers. …”
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Minority Voices In Power Rangers Movie by Elisabeth Ngestirosa EWK

“…Power Rangers is a 2017 superhero movie that was previously known in Power Rangers film series. …”
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Wakandan Utopia, Blackman’s Techno-Scientific Imaginaries, and the Complexities of Pseudoscience in 'Black Panther' by Emmanuel Adeniyi

“…Though this stereotype has been invalidated in many scholarly writings, the Hollywood superhero movie, 'Black Panther' (2018), further intensifies the repudiation, affirming the Blackman’s contributions to humanity, albeit with a touch of narcissism. …”
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Mitos dan Kritik Lingkungan dalam Film Aquaman (2018) by Okti Ayu Lestari, Reynatania Meydiana Sahara, Zulfa Azza Ardhini, Inayatul Chusna

“…Aquaman is a superhero movie that presents the environmental issue through the conflict between human and nature in the middle of the dispute for the throne as the ocean master. …”
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The invisible teenager: Comic book materiality and the amateur films of Don Glut by Matt Yockey

“…Don Glut, between the ages of 9 and 25, made 41 short amateur films inspired by horror, science fiction, and superhero movies, serials, and comic books. The tactile qualities of comic books as affect-generating objects are instrumental to how Glut confirmed his identity during a time (adolescence) in which that identity is particularly unstable. …”
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Superheroines and superstereotypes? Queer postfeminism, intersectionality and female superheroes in Supergirl by Maxine De Wulf Helskens

“…An increase, however, does not imply diverse and rounded representations, since women in superhero movies tend to be depicted in stereotypical and sexualized ways (Kaplan, Miller & Rauch, 2016). …”
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« Into the Spider-Verse » : la méta-sérialité comme moteur narratif by Anne Besson

“…Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey and Rodney Rothman, 2018), a huge critical and box-office success, stands apart from other superhero movies by integrating the serial processes of repetition and variation at the heart of its diegesis: we witness how a film and a character, Miles Morales as the new Spider-Man, establish their originality by exhibiting their own serialization. …”
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Contexto e intertextualidad en los títulos de crédito de Watchmen. Context and intertextuality in Watchmen's opening credits by Raúl Polo Montilla

“…This article executes a deep analysis of the opening credits of Watchmen (Zack Snyder, 2009), whose summarizes function is vital to understand the context of an inusual superhero's movie…”
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