Dancing cheek to cheek : haptic communication between partner dancers and swing as a finite state machine by Gentry, Sommer Elizabeth

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The technique of Coleman Hawkins: rhythm, harmony, melody, development by Stoll, LT

“…But Hawkins was also a master of the theoretical principles governing tonal music and of their application within the confines of improvised swinging music. This second aspect of his technique is the subject of this thesis, which deals principally with four parameters: rhythm, harmony, melody, and development.…”