Free dance as a cultural-historical practice of improvisation by Aida M. Ailamazjan

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On the Reflection of the 1953 Iranian Coup D’état in Ebrahim Golestan’s Fictions by saeid bigdeli

“…In addition to the widespread reflection of the said coup d’état in fictions, it also affected the formation of literary symbolism movement. Due to the heavy political pressure in the society, many intellectual writers fighting for democracy used a coded and symbolic language to criticize the sociopolitical issues in Iran. …”
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Implications, actors, and geopolitical levers of tourism. Israel / Palestine: what religious places tell us by Caroline Rozenholc-Escobar

“…It responds to this by looking at the places that contribute to producing this form of tourism; and the physical flows and symbolic movements of which these places are the objectives. …”
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THE EXPERIENCE OF DANCE AS A CONDITION FOR FOSTERING SOCIAL, TRADITIONAL AND CULTURAL SKILLS AMONG EARLY CHILDHOOD by USM ADMIN

“…The past few decades have demonstrated that dance education and the use of symbolic movement in early childhood, greatly enhance young children's learning. …”
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Meanings of Consumption and Abandonment: Understanding Smoking Cessation Symbolism by Maribel Carvalho Suarez

“…The study proposes a framework that highlights the cooling, decontamination, reinforcement and defensive symbolical movements, thus constructing a tool for analyzing abandonment, offering possible paths of intervention for organizations that are interested in this issue.…”
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Understanding Is a Design Problem: Cognizing from a Designerly Thinking Perspective. Part 2 by Michael Lissack

“…Design and design thinking scholars have much to say about how agency and choice can be impacted by still other choices—context, symbols, movement, audience, and so on. Suppose cognition and meaning making were re-cast as design processes? …”
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Understanding Is a Design Problem: Cognizing from a Designerly Thinking Perspective. Part 1 by Michael Lissack

“…Design and design thinking scholars have much to say about how agency and choice can be impacted by still other choices—context, symbols, movement, audience, and so on. Suppose cognition and meaning making were re-cast as design processes? …”
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Aesthetics of the Sufi Image and its Representations in Post-Modern Theater Show by Farhan Imran Mousa

“…The third axis consists of the research procedures, determining the research population, choosing the sample represented by presenting the Play (The Forty Rules of Love ), and finally the results of the study and the most important of which is that: (the theatrical discourse employed the Sufi image as an aesthetic mediator within the visual composition of the show through the whirling dances, the symbolic movements and the reliance on the spiritual music as one of the emerging factors of the theatrical ritual). …”
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Research on the Movement Speed of Situational Map Symbols Based on User Dynamic Preference Perception by Mu Tong, Shanguang Chen, Xinyue Wang, Chengqi Xue

“…This study addresses this issue by conducting two experiments to measure the human eye’s ability to discern moving speeds on a screen and examines how symbol movement speeds within situational maps affect users’ subjective experiences, task performance, and visual comfort. …”
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Selfie-screen-sphere: Examining the selfie as a complex, embodying gesture by Darren Berkland

“…I am following Flusser in my definition of gesture; that is, a production of meaning that is contained in some practised performance: a symbolic movement that at once both expresses and articulates meaning. …”
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THE EXPERIENCE OF DANCE AS A CONDITION FOR FOSTERING SOCIAL, TRADITIONAL AND CULTURAL SKILLS AMONG EARLY CHILDHOOD by Sari KATZ-ZICHRONY

“…The past few decades have demonstrated that dance education and the use of <br />symbolic movement in early childhood, greatly enhance young children's learning. …”
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The mentality linkage between the safavid kings and sheikh Safi- al-din (Foundation safavid dynasty to qhasr shirin treaty) by Mehdi Dehghani

“…One of the signs of the rupture of the Murad-Muridi bond of the Safavid kings was the symbolic movements of Shah Abbas I in order to persuade the Ghezelbashs to obey and discipline the military. …”
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