Soltan Hajibeyov’s “Caravan” Symphonic Poem by Ровшана Керімова

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SYMPHONIC DISCOURSE IN THE WORK OF VALERIY ANTONYUK by Оlga Hrytsenko

“…Relevance of the study of the genesis and peculiarities of the development of Ukrainian symphonic music on the current stage of the national cultural paradigm formin. …”
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Profanation in Slovenian Contemporary Symphonic Music? by Leon Stefanija

“…The common “postmodern concern” over the profanation of the arts is taken as a starting point for analysing works by five distinctive Slovenian composers of symphonic music – by Uroš Rojko, Vito Žuraj, Lojze Lebič, Nenad Firšt and Črt Sojar Voglar. …”
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Symphonic Creative Activity of Rufat Ramazanov by Мехпара Рзаєва

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Evaluation of the noise exposure of symphonic orchestra musicians by Matilde Alexandra Rodrigues, Marisa Alexandra Freitas, Maria Paula Neves, Manuela Vieira Silva

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Tracing the Origins of Early Symphonic Repertoire in the Slovenian Lands by Vesna Venišnik

Subjects: “…symphonic repertoire…”
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Khuddur Yātrā: a Symphonic Poem of Texts and Images by Elizaveta Ilves

“…Following Bachtin, who proposed to analyze literary work by using the musical concept of polyphony metaphorically, the author argues that the concept of symphonic poems provides the best way to approach the complexity of text-image congruencies in this work. …”
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The historical study of symphonic bands and related ensembles in Singapore by Tan, Penny Peng Leng.

“…The symphonic band scene in Singapore has seen systematic growth over a period of 32 years. …”
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Characteristics of Isan Folk Songs for Creating Music of Symphonic Bands by Akarawat Chaumklang, Sakchai Hirunrax

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SYMPHONIC VARIATIONS FOR ORCHESTRA BY SIGISMUND TODUŢĂ – HISTORICAL AND STYLISTIC CONSIDERATIONS by Mirela MERCEAN ŢÂRC

Subjects: “…Toduță creation, Transylvanian composers, 1940, Symphonic Variations…”
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SYMPHONIC VARIATIONS FOR ORCHESTRA BY SIGISMUND TODUŢĂ – HISTORICAL AND STYLISTIC CONSIDERATIONS by Mirela MERCEAN ŢÂRC

Subjects: “…Toduță creation, Transylvanian composers, 1940, Symphonic Variations…”
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Program, Tonality, and Sonata Deformation in Leopoldo Miguéz’s Symphonic Poems by Norton Dudeque

“… The aim of this text is to address Leopoldo Miguéz (1850–1902) approach to sonata form in his three symphonic poems. Each one of these works presents a different approach to the rhetorical musical discourse of sonata form and a specific “deformation” of the form. …”
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Artikel Kehormatan: Symphonizing Intellectual Property Laws in the Advancement of Culture by Agus Sardjono

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Archetypal symbols in the symphonic poem The Sea by Mikalojus Konstantinas Čiurlionis by Martina Štěpánová, David Kozel

“…The study has the objective to newly interpret the symphonic poem Jūra in the context of archetypal symbolism.…”
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Hearing loss induced by loud music among musicians of symphonic orchestra by Tanja Carli, Marjan Bilban

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Music and the perception of the mountains through the symphonic poems of Liszt, Franck and Strauss by Adrià San José Plana, Jordi Martí-Henneberg, Justino Losada Gómez

“…In particular, we present the ways in which symphonic music has helped to incorporate the high mountains into the known and inhabited space. …”
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“Symphonic philosophising” (biographical features of S. L. Frank’s and l. Binswanger’s correspondence) by Alexey Gaponenkov, Alexander Tsygankov, Alexey Gaponenkov, Alexey Gaponenkov, Alexey Gaponenkov

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SOME PECULIARITIES OF TIMBRE CONTRASTS AND THEIR IMPLEMENTATION IN THE SYMPHONIC WORKS OF PAVEL RIVILIS by PÎSLARI SNEJANA

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The Standard, Power, and Color Model of Instrument Combination in Romantic-Era Symphonic Works by Randolph Johnson

“…The SPC theory emerges from analyses of nineteenth-century symphonic works. Multidimensional scaling analysis of instrument combination frequencies maps instrument relationships; hierarchical clustering analysis indicates three SPC groups within the map. …”
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GENRE HYBRIDS IN THE SYMPHONICAL CREATIVITY OF Ye. PETRYCHENKO AS A REFLECTION OF TIME TRENDS by Maryna VARAKUTA, Daryna KUPINA, Maryna VOTINTSEVA

Subjects: “…symphony, genre hybrid, genre interaction, the symphonic creativity of Yevhen Petrychenko, Ukrainian music, modern academical music.…”
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