L’influenza del cinema d’animazione nella promozione (cine)turistica delle destinazioni. Gli effetti del fenomeno Frozen sul turismo norvegese / The influence of animation cinema... by Enrico Nicosia

“…With this work I try to analyze the Film Induced Tourism with the intention to approach to a new frontier: the Cartoon Induced Tourism (tourism-induced vision of animated films and cartoons), because not only watching a movie or of a TV series can induce potential (cine) tourist to travel. …”
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Historical Gardens in Cinema: Location, Transformation, Image / Исторический сад в кинематографе: натура, трансформация, образ by SOKOLOV BORIS M. / СОКОЛОВ Б.М.

“…A garden can make a historical location (Versailles), mimic another historical garden (Vaux-le-Vicomte as Chantilly in Vatel), embody a national way of life (gardens of the National Trust in the 1995 TV series Pride and Prejudice), or be an abstract, to a greater or lesser extent, setting. …”
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PERILAKU BRAND SWITCHING KONSUMEN YANG BERLANGGANAN DISNEY PLUS HOTSTAR DI KOTA PADANG by Geza Scortionda, Dessy Kurnia Sari, Eri Besra

“…In additional, consumers love to feeling nostalgic about famous TV Series and Movies produced by Disney when they were as little kid and consumers doesn’t like with the statement that Disney Plus Hotstar subscription fee got called “cheap”.      …”
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Beyond lectures and practical courses: Teaching pharmacology using imaginative pedagogical tools by J.E. Baños, E. Blanco-Reina, I. Bellido-Estévez, F. Bosch, M.R. Cabello, I. Cambra-Badii, J.P. De la Cruz, P. D’Ocón, M.D. Ivorra, M. Ferrándiz, J.A. González-Correa, E. Martín-Montañez, F. Martos, J. Pavía, E. Sanz

“…The use of popular films and medical TV series in biomedical students shows how these audiovisual resources can be helpful in teaching pharmacology. …”
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CINEMA SPACES: AN IMAGINATIVE WORLD OF THE CULTURAL LANDSCAPE. REVIEW OF THE 6TH INTERNATIONAL SCIENTIFIC CONFERENCE “GEOGRAPHY OF ART” / ПРОСТРАНСТВА КИНО: ОБРАЗНЫЙ МИР КУЛЬТУРНОГ... by LAVRENOVA OLGA A. / ЛАВРЕНОВА О.А.

“…A separate topic was the discussion of constructed spaces of Korean TV series and their adaptation in Russian culture as a tangible result of the process of intercultural communication. …”
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Küberpunk ilma teadusulmeta / Cyberpunk without Science Fiction by Jaak Tomberg

“…In my article, I exemplify the emergence of non-SF cyberpunk in various works of fiction, film, TV-series, and pop-cultural phenomena. During the first years of the 21st century, history – or more precisely technological development – finally seemed to have caught up with cyberpunk. …”
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ENHANCING STATE POLICY EFFECTIVENESS IN CINEMA THROUGH MACHINE LEARNING / Повышение эффективности государственной политики в сфере кинематографа с помощью машинного обучения... by DOZHDIKOV ANTON V. / ДОЖДИКОВ А.В.

“…A conclusion was drawn regarding the need for a set of measures to implement state policy in the field of education, information technology, culture, and art, focusing on the creation of unified media franchises and umbrella brands encompassing films, TV series, computer and online games, music, and other products. …”
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Bromance as a Masquerade: Adaptation and Reception of Chinese Danmei Fantasy / Броманс как маскарад: адаптация и рецепция китайских фэнтези в жанре данмей... by NIM EVGENIYA G. / НИМ Е.Г.

“…In particular, I analyze the popular TV series S.C.I. Mystery (2018), Guardian (2018), The Untamed (2019), and Word of Honor (2021). …”
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Investigating Cultural Categories and Non-verbal Elements in the Arabic Subtitles of the Movie “Melody” Based on Gottlieb’s Strategies by Sajjad Esmaili, Mohammad Zangoei

“…Translation scholars have identified multiple techniques for translating audio-visual texts, particularly the subtitling of movies and TV series. Henrik Gottlieb, a Danish linguist and translator, has contributed some of these ideas. …”
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Cinema as a form of composition by Michele Guerra

“…Today, we are still in that position, with the director still considered the author of the film, but that was not always so: back in the 1910s, in the United States, the author of the film was the scriptwriter, the person who wrote it (as is now the case for TV series, where they have once again taken pride of place as the showrunner, the creator, the true author of the series, and nobody remembers the names of the directors of the individual episodes); or at times, it can be the producer, as was the case for a long time when the Oscar for Best Picture, for example, was accepted by the producer in their capacity as the commissioner, as the “owner” of the work. …”
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Serie Tv e Public History: l'immaginario storico americano in The Walking Dead by Giancarlo Poidomani

“…The article analyzes the American historical imaginary present in The Walking Dead. In this tv-serie, history is a subtext in which individual characters embody some key-moments in American and, in general, in Western Europe history: the pioneers, the myth of the frontier, the conquest of the West, the genocide of the Native Americans, the difficult construction of democracy in the nineteenth century, the contrast between nature and industrial civilization, the Civil War and soon.…”
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Danmark rundt – the American Way by Henrik Skovmark, Dennis Christiansen

“…I artiklen påviser Henrik Skovmark og Dennis Christiansen, hvordan den danske tv-serie Rejseholdet rummer træk, som både peger i retning af et homogeniseret, amerikansk tv-produkt og et domesticeret, dansk tv- produkt. …”
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Introduksjon by Ruben Moi

“… "Selvmord og suicidal overlevelse", dette spesialnummeret av Nordlit, undersøker fremstillinger av den menneskelige eksistensens ytterpunkter, hovedsakelig i litteratur, men også i popmusikk, en TV-serie og en grafisk roman. Hvorfor tar enkelte mennesker livet sitt mens de fleste fortsetter å leve? …”
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The Return of Superman – Die Vermittlung eines neuen südkoreanischen Vaterideals durch eine doppelte Narrationsstruktur by Christian Toth

“…In der südkoreanischen Reality-TV-Serie The Return of Superman kümmern sich prominente Väter 48 Stunden lang alleine um ihre Kinder, während die Mütter entweder arbeiten oder einen Kurzurlaub machen. …”
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