‘Joined together there is power, sister’: Re-viewing feminist work from the London Film-makers’ Co-operative by Sophie Mayer, Selina Robertson

“…<p>The 'From Reel to Real' season of programmes, the first retrospective of women filmmakers' work from the London Film-makers' Co-operative, curated by Maud Jacquin with Tate Modern and LUX, bring together three generations of filmmakers, and highlight the transmission of a political aesthetics that is both theoretically-informed and embodied.…”
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The art of compromise: the founding of the National Gallery of British Art, 1890-1892 by Amy Woodson-Boulton

“…The changing definition of modern art in the twentieth century, however, created fractures between these two identities that eventually led to the split between Tate Britain and Tate Modern.…”
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Turistički značaj galerije 'Milan Konjović' u Somboru by Besermenji Snežana, Pivac Tatjana, Jurišin Ivica

“…Considering the fact that conditions in our institutions of culture are on unsatisfactory level, in this paper two affirmed galleries in London will be presented: the Tate Gallery and the Tate Modern, which represent positive example of successful management in cultural institutions.…”
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Heliotropism at the terminal beach of critique by Jeff Diamanti

“…Adorno, from the installation of Olafur Eliasson in the turbine room of the Tate Modern and of references of contemporary visual culture (such as the Leviathan series), Diamanti presents an intellectual exercise that updates the humanities (specifically, the perspective of the so-called "energy humanities") from the incorporation of the urgencies and challenges that for cultural criticism bring critical events such as global warming or burning of fossil fuels.…”
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Disquisiciones Graffiteras by Manuel Ruiz Zamora

“…En el verano de 2008 la Tate Modern de Londres cedió su emblemática fachada de ladrillos rojos para que seis reconocidos “artistas callejeros” exhibieran, si bien de forma provisional, una serie de propuestas graffiteras que, presentadas bajo el título de Street Art at Tate, no sólo concitaron la atención de la crítica especializada, sino, como ocurre siempre con cualquier acontecimiento auspiciado por ese templo de la contemporaneidad artística, la de la prensa en general. …”
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Reflective Writing and Re-usable Learning Objects by Pokorny, Helen

“…The ‘Studying...’ series curriculum is designed around a Tate Modern Merchandising Project undertaken as a series of tasks linked to an interactive website (www.learning.londonmet.ac.uk/quickstart) supported by class contact and a variety of electronic resources (www.learning.londonmet.ac.uk/bssmstudy). …”
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Shrine of the goat by Scarso, Jacek Ludwig

“…Created by Jacek Ludwig Scarso with AVR London and building on previous collaborations with Anise Gallery presented at Tate Modern ('In Limbo', 2018 and 'The Pecking Order', 2019), 'Shrine of the Goat' is a Performance/Virtual Reality project: it merges theatrical live scenes with music and an integrated VR experience, responding to the unique site of The Old Chapel in London's Forest Hill and creating a dreamscape where visitors and performers could intermingle. …”

Curating the Cosmopolis by Iwona Blazwick, Rattanamol Singh Johal

“…Century City: Art and Culture in the Modern Metropolis was the first temporary exhibition mounted at Tate Modern from February to April 2001. The exhibition’s central problematic was the intensification—at specific moments in particular places—of the relationship between urban experience and cultural praxis. …”
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Il museo che non c’è. Note sulla dispersione del patrimonio in Gran Bretagna by Caroline Patey

“…Sordo al nome di Jean Nouvel (Reina Sofia, Louvre) quanto a quelli di Herzog & De Meuron (Tate Modern), impermeabile ai fasti del British Museum (Norman Foster) come ai restauri della Tate Britain (James Stirling), disinteressato alle fortune del ‘nuovo’ Victoria and Albert Museum e malinconico come si addice alla sua natura, il fantasma invita a interrogare tanta luccicante spettacolarità e forse a non dimenticare che, per quanto custode di memoria e guardiano di culture, il museo è anche il luogo dove vengono consumate, direttamente o meno, amnesie e damnatio memoriae e in nome del quale continuano a perpetrarsi non poche violazioni e disseminazioni.…”
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Museum materialities : objects, engagements, interpretations /

Editorial #23. Digital Memories. What future for the past? What past for the future? by Letizia Bollini, Francesco E. Guida

“…The image represents the artistic interpretation made by Cecilia Vicuña on the occasion of her exhibition, still in progress now, at the Tate Modern’s Turbine Hall. Vicuña has been exploring and transforming the quipu in her work for over five decades, getting inspiration from this ancient recording and communication system used by the Quechua people of the Andes from 2500 BCE through to the 16th century at the time of the Spanish conquest. …”
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Re-cycle/up-cycle: a conversation by Rossi, Gian, Scarso, Jacek Ludwig

“…The conversation takes examples from their respective work, including Gian’s Shakespeare productions for the Gdańsk Festiwal Szekspirowski and Jacek’s multimedia performance installation at Tate Modern. Do existent texts and images get recycled because intrinsically relatable or gain relatability and longevity through recycling? …”
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Beatriz González, o el recortar y cortar by Álvaro Daniel Reyes Gómez

“…En una trayectoria de más de 50 años ha expuesto nacional e internacionalmente; entrado a conformar colecciones públicas como el Museo de Arte Moderno de Nueva York, la TATE Modern, y el Museo del Banco de la República entre otras, y trabajado en más de 15 publicaciones como catálogos, artículos y libros.   …”
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O impacto das políticas culturais no desenvolvimento de programas para jovens na Tate (1989-2019) by Carolina Silva

“…This paper focuses on the development of the youth programme in Tate Britain, Tate Modern, Tate Liverpool and Tate St Ives, identifying key moments between 1989 and 2019, based on the analyses of reports, policy briefs and other relevant publications. …”
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Experimenting post-colonial film landscapes: A conversation with Ana Vaz by Barbara Bergamaschi Novaes

“…Her films were shown at festivals and institutions such as: Berlinale Forum Expanded, New York Film Festival, TIFF Wavelengths, Cinéma du Réel, Flaherty Seminar, Tate Modern, Palais de Tokyo, Jeu de Paume,  etc. Her body of work narrates stories hidden in lost memories of colonial landscapes. …”
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Heliotropismo en la playa terminal de la crítica by Jeff Diamanti

“…Adorno, de la instalación de Olafur Eliasson en la sala de turbinas de la Tate Modern y de referentes de la cultura visual contemporánea (como la serie Leviathan), Diamanti presenta un ejercicio intelectual que actualiza las humanidades (en concreto, la perspectiva de las llamadas "humanidades energéticas") a partir de la incorporación de las urgencias y retos que para la crítica cultural deparan acontecimientos críticos como el calentamiento global o la quema de combustibles fósiles.…”
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Narcisove metamorfoze v slikarstvu simbolizma in nadrealizma: Gustave Moreau in Salvador Dalí by Tine Germ

“…Kot reprezentativna umetnika sta izbrana Gustave Moreau (1826–1898), ki se je z motivom Narcisa ukvarjal intenzivneje kot katerikoli drugi slikar 19. st., in Salvador Dalí (1904–1989), ki je z Narcisovo metamorfozo (1937, Tate Modern, London) ustvaril najvplivnejše delo na področju ikonografije Narcisa v 20. stoletju. …”
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Murmur, Hum, Shout, Crash! by Adrienne Janus

“…Moving from Beckett’s late television plays (Ghost Trio, 1975) to contemporary installation and video art of central and peripheral avant-gardes such as Bruce Nauman’s Raw Materials (Tate Modern, 2004), John d’Arcy’s Beckett’s Basement (Castle Coole, 2011), and Harrison and Wood’s video performance Unrelated Incidents (Gallery Den Haag, 2012), this paper explores how murmurs, hums, shouts and crashes index two temporal phenomena brought to the fore by 20th and 21st century experimentation whose ephemeral, ungraspable nature demands a kind of perception more akin to listening than to looking. …”
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A challenge of holistic marketing in artistic projects by Ćorović Bekim, Janičić Radmila

“…Modern museums, such as the Louvre Museum and the Tate Modern Museum, use social media to communicate with the target audience, but especially for the new exhibitions in the field of painting, photography and sculpture. …”
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Key characterization efforts to support the graffiti ink removal and care of Mark Rothko’s painting ‘Black on Maroon’ 1958 by Scott T. Wills, Bronwyn A. Ormsby, Melinda H. Keefe, Robert L. Sammler

“…The ink solubility properties proved vital to informing the solvent selection process for the ink removal procedure, which helped enable the re-display of the painting at Tate Modern in 2014. The possible impact of ink residues remaining within the cotton duck canvas support of the conserved painting was also explored using mockup canvas mechanical strength data, measured before and after ‘soiling’ at two ink levels to assess whether the ink residues had any immediate and possible longer-term effects on canvas properties. …”
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