On Tate Modern’s Turbine Hall and 'The Unilever Series' by Wouter Davidts

“…Since the opening Tate Modern in 2000, the vast space of the Turbine Hall has hosted The Unilever Series. …”
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In the Turbine of Experimentation: Tate Modern and the New (?) Rationale of Collective Performance by Catherine Bernard

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The adaptive reuse design strategies– focused on the case of the Tate Modern architectural competition by Yoon-Jeong Shin

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Rurality and Minimal Architecture: An Inquiry into the Genealogy of Tate Modern’s Bankside Gallery Spaces by Victoria Watson

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Entre el espectáculo y el discurso pedagógico: La Tate Modern. by Isabel Tejeda Martín

“…La inauguración de la Tate Modern en 2000 como la sección especializada en arte contemporáneo internacional de la decana Tate Gallery, ha supuesto un antes y un después en lo que a presentaciones museográficas se refiere. …”
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Decolonizzare il museo. Tate Modern e Brooklyn Museum fra nuovo istituzionalismo e attivismo by Camilla Mattola

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Lighting impact on architectural modifaction of an adaptive reuse building: a case study of Tate Modern Gallery in the Sounthbank of London by Nur Amalina Hanapi, Leng, Pau Chung

“…This research explores the analysis method of the current situation in Tate Modern, an adaptive reuse gallery that injects architectural intervention in terms of its massive modification from an industrial powerhouse station building to a gallery. …”
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Joan Miró: La escalera de la evasión. Londres, Tate Modern, 14 abril-11 septiembre 2011; Barcelona, Fundación Joan Miró, 13 octubre 2011- 25 marzo 2012; Londres, National Gallery of Art, 6 mayo-12 agosto 2012 by Paula Barreiro López

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Culture, regeneration and community: Reinventing the city by Donald Hyslop

“…It is just over 12 years since the doors of Tate Modern in London were opened. In converting Gilbert Giles Scott’s Bankside Power Station into a museum we planned for two million visitors in the first year but received over five million – a number exceeding our wildest expectations. …”
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The pecking order by Scarso, Jacek Ludwig

“…Drawing on surveillance techniques such as CCTV cameras and internet data monitoring, bird-like characters watch over Tate Modern in a performative/VR intervention. Navigate your way through and explore the power relationships between and around us. …”

Distance & engagement : Walking, thinking and making landscape / by Foxley, Alice, author, Vogt Landschaftsarchitekten

Soul of a Nation: Art in the Age of Black Power by Levi Prombaum

“…Curated by: Mark Godfrey, Zoé Whitley Tate Modern, London, July 12–October 22, 2017 Reviewed by: Levi Prombaum, PhD Candidate, University College, London…”
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Seeds of impurity by Andrea Pavoni

“…Ai Weiwei’s art installation Kui Hua Zi [Sunflower Seeds] took place between 2010 and 2011 in the gigantic Turbine Hall of the Tate Modern Gallery, in London. It consisted of 100 millions hand-crafted porcelain seeds made in Jingdezhen, China.1 An uneven surface to dive into, a haptic space of undulating vision, rustling steps, unusual horizontality, a meaningless quicksand where the separation between artwork and spectator is engulfed, the immunity of distant contemplation denied.…”
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In limbo by Scarso, Jacek Ludwig

“…In Limbo is a practice-based research project in the form of a participatory performance, presented at Tate Modern through Tate Exchange in association with AAD, in collaboration with A-VR and Anise Gallery. …”
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Nueva tendencia: el atrio de los centros comerciales usado como espacio expositivo para instalaciones artísticas / New Trend: Mall Lobbies Used as an Exhibition Space for Art Insta... by Marina Garcia-Broch Martín, Jaume Gual Ortí

“…It is for a reason that these spaces are similar to such exhibition spaces as the lobby of New York’s iconic Guggenheim Museum, or the Turbine Hall of London’s Tate Modern.…”
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Interactive and Immersive Practices; Critical Spatial Practices. The Augmented Reality of the Exhibition Space Pratiques interactives et immersives ; pratiques spatiales critiques.... by Alessandra Mariani

“…A concise description of the evolution of the operational and intellectual premise of these museums and their changing practices demonstrates the transformations that have occurred, their modalities, and their application in selected works, notably: The Weather Project by Olafur Eliasson presented at Tate Modern London; Diller + Scofidio’s media pavilion, Blur Building, in Yverdon-les-Bains in Switzerland; and the exhibition Sense of the City at the Canadian Centre for Architecture in Montreal.…”
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Digital technologies in museums: New routes to engagement and participation’ by Carey Jewitt

“…You Tube and Flickr: The Weather Project by Olafur Eliasson at the Tate Modern Museum; 2. Interactive artefacts, virtual tours and Websites: The Winston Churchill Museum; 3. …”
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Les mythes défigurés : la destruction de Londres dans les films de science-fiction post-millénaires by Andrew M. Butler

“…All these films use some London landmarks (Westminter Palace, Tower Bridge, Tate Modern, for example) not only to locate the plot events, but also to destroy and reconstruct the Britishness features these famous buildings represent in the West world. …”
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Regeneration a Southwark by Alistair Huggett

“…<br /></span>In the second part examines the targets and the strategies of reclamation adopted by the Department, with a particular attention for the projects for Bankside and for the new Tate Modern, and for the subjects. </p></div></div></div>…”
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Yellowism and Ontology: A Skeptical Analysis by Wesley D. Cray

“…When Vladimir Umanets entered the Tate Modern on October 7, 2012 and defaced Rothko's Black on Maroon, he was operating, not as an artist or a vandal, but as a Yellowist. …”
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