On Tate Modern’s Turbine Hall and 'The Unilever Series' by Wouter Davidts

“…Since the opening Tate Modern in 2000, the vast space of the Turbine Hall has hosted The Unilever Series. …”
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The adaptive reuse design strategies– focused on the case of the Tate Modern architectural competition by Yoon-Jeong Shin

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Lighting impact on architectural modifaction of an adaptive reuse building: a case study of Tate Modern Gallery in the Sounthbank of London by Nur Amalina Hanapi, Leng, Pau Chung

“…This research explores the analysis method of the current situation in Tate Modern, an adaptive reuse gallery that injects architectural intervention in terms of its massive modification from an industrial powerhouse station building to a gallery. …”
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The pecking order by Scarso, Jacek Ludwig

“…Drawing on surveillance techniques such as CCTV cameras and internet data monitoring, bird-like characters watch over Tate Modern in a performative/VR intervention. Navigate your way through and explore the power relationships between and around us. …”

Distance & engagement : Walking, thinking and making landscape / by Foxley, Alice, author, Vogt Landschaftsarchitekten

In limbo by Scarso, Jacek Ludwig

“…In Limbo is a practice-based research project in the form of a participatory performance, presented at Tate Modern through Tate Exchange in association with AAD, in collaboration with A-VR and Anise Gallery. …”
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Regeneration a Southwark by Alistair Huggett

“…<br /></span>In the second part examines the targets and the strategies of reclamation adopted by the Department, with a particular attention for the projects for Bankside and for the new Tate Modern, and for the subjects. </p></div></div></div>…”
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Turistički značaj galerije 'Milan Konjović' u Somboru by Besermenji Snežana, Pivac Tatjana, Jurišin Ivica

“…Considering the fact that conditions in our institutions of culture are on unsatisfactory level, in this paper two affirmed galleries in London will be presented: the Tate Gallery and the Tate Modern, which represent positive example of successful management in cultural institutions.…”
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Reflective Writing and Re-usable Learning Objects by Pokorny, Helen

“…The ‘Studying...’ series curriculum is designed around a Tate Modern Merchandising Project undertaken as a series of tasks linked to an interactive website (www.learning.londonmet.ac.uk/quickstart) supported by class contact and a variety of electronic resources (www.learning.londonmet.ac.uk/bssmstudy). …”
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Shrine of the goat by Scarso, Jacek Ludwig

“…Created by Jacek Ludwig Scarso with AVR London and building on previous collaborations with Anise Gallery presented at Tate Modern ('In Limbo', 2018 and 'The Pecking Order', 2019), 'Shrine of the Goat' is a Performance/Virtual Reality project: it merges theatrical live scenes with music and an integrated VR experience, responding to the unique site of The Old Chapel in London's Forest Hill and creating a dreamscape where visitors and performers could intermingle. …”

Il museo che non c’è. Note sulla dispersione del patrimonio in Gran Bretagna by Caroline Patey

“…Sordo al nome di Jean Nouvel (Reina Sofia, Louvre) quanto a quelli di Herzog & De Meuron (Tate Modern), impermeabile ai fasti del British Museum (Norman Foster) come ai restauri della Tate Britain (James Stirling), disinteressato alle fortune del ‘nuovo’ Victoria and Albert Museum e malinconico come si addice alla sua natura, il fantasma invita a interrogare tanta luccicante spettacolarità e forse a non dimenticare che, per quanto custode di memoria e guardiano di culture, il museo è anche il luogo dove vengono consumate, direttamente o meno, amnesie e damnatio memoriae e in nome del quale continuano a perpetrarsi non poche violazioni e disseminazioni.…”
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Museum materialities : objects, engagements, interpretations /

Editorial #23. Digital Memories. What future for the past? What past for the future? by Letizia Bollini, Francesco E. Guida

“…The image represents the artistic interpretation made by Cecilia Vicuña on the occasion of her exhibition, still in progress now, at the Tate Modern’s Turbine Hall. Vicuña has been exploring and transforming the quipu in her work for over five decades, getting inspiration from this ancient recording and communication system used by the Quechua people of the Andes from 2500 BCE through to the 16th century at the time of the Spanish conquest. …”
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Re-cycle/up-cycle: a conversation by Rossi, Gian, Scarso, Jacek Ludwig

“…The conversation takes examples from their respective work, including Gian’s Shakespeare productions for the Gdańsk Festiwal Szekspirowski and Jacek’s multimedia performance installation at Tate Modern. Do existent texts and images get recycled because intrinsically relatable or gain relatability and longevity through recycling? …”
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Beatriz González, o el recortar y cortar by Álvaro Daniel Reyes Gómez

“…En una trayectoria de más de 50 años ha expuesto nacional e internacionalmente; entrado a conformar colecciones públicas como el Museo de Arte Moderno de Nueva York, la TATE Modern, y el Museo del Banco de la República entre otras, y trabajado en más de 15 publicaciones como catálogos, artículos y libros.   …”
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O impacto das políticas culturais no desenvolvimento de programas para jovens na Tate (1989-2019) by Carolina Silva

“…This paper focuses on the development of the youth programme in Tate Britain, Tate Modern, Tate Liverpool and Tate St Ives, identifying key moments between 1989 and 2019, based on the analyses of reports, policy briefs and other relevant publications. …”
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Narcisove metamorfoze v slikarstvu simbolizma in nadrealizma: Gustave Moreau in Salvador Dalí by Tine Germ

“…Kot reprezentativna umetnika sta izbrana Gustave Moreau (1826–1898), ki se je z motivom Narcisa ukvarjal intenzivneje kot katerikoli drugi slikar 19. st., in Salvador Dalí (1904–1989), ki je z Narcisovo metamorfozo (1937, Tate Modern, London) ustvaril najvplivnejše delo na področju ikonografije Narcisa v 20. stoletju. …”
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Key characterization efforts to support the graffiti ink removal and care of Mark Rothko’s painting ‘Black on Maroon’ 1958 by Scott T. Wills, Bronwyn A. Ormsby, Melinda H. Keefe, Robert L. Sammler

“…The ink solubility properties proved vital to informing the solvent selection process for the ink removal procedure, which helped enable the re-display of the painting at Tate Modern in 2014. The possible impact of ink residues remaining within the cotton duck canvas support of the conserved painting was also explored using mockup canvas mechanical strength data, measured before and after ‘soiling’ at two ink levels to assess whether the ink residues had any immediate and possible longer-term effects on canvas properties. …”
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Arte espacial e arquiteturas espaciais: explorando ligações by Sandra Silva

“…The other scenario is hypothetical and refers to the futuristic art gallery architectures of the Tate in Space program (2000) of the Tate Modern. The possible interconnection was analysed from the theory of the five “atmospheres” (physical, geographical, sensory, social, and individual space) from the Book of Principles that artist Kristen Johannsen (2016) elaborated for artistic works to be sent into outer space. …”
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Artistic conundrums in the age of the virtual, the artificial and the non-fungible by Scarso, Jacek Ludwig

“…Drawing on his own performance/VR projects in collaboration with AVR London and Anise Gallery (Tate Modern and London Festival of Architecture), Scarso considers the paradox of a society that has never been more mediated, whilst consistently projected towards the “immediate”. …”
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