A Case of Asynchronous Media Change in the 1950s: How US-American TV Series Came to Early West German Television by Andre Dechert

“…The influence of radio and cinema on the first television program designs in West Germany, and other nations, can be explained by a theory which has recently been put forward by communication scholar Gabriele Balbi. …”
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Identifying developing pattern of second screen by somayeh labafi, ALI ASGHAR KIA, AMROLLAH THAGHVA

“…One of the most important changes is the second screen that accompanies the watching. the second screening is the new experience of watching television, allowing the viewer to interact in a different way with a television program. the present study has been done by deep and semi-structured interviews with 21 managers of five private TV networks in Afghanistan and 20-second screen users and TV audiences to identify the factors affecting the promotion and development of the second screen to increase the interaction of TV audiences in Afghanistan. …”
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The reception of Instagram users of the “traditionalist women” discourse by M. Khelghati, H. Molaei

“…Therefore, ‘Tašt-e Šir’ video which was part of a television program about family values was selected as the case study. …”
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Media Sponsorship as a New Promotional Tool for Tour Operators in Poland by MEYER Beata, SIDORKIEWICZ Marta

“…Information about an enterprise, which finances a given media material, may come in a form of so called sponsorship billboard or television program trailer. The paper seeks to clarify the theoretical issues on media sponsorship as a tool and to attempt to estimate the usage of such a tool by tour operators functioning in the Polish tourism market. …”
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Rethinking Eurovision Song Contest as a Clash of Cultures by Zeynep Merve ŞIVGIN

“…This article examines Eurovision Song Contest with its over 50 years of traditionaled history, as a noteworthy television program of popular culture. Despite often being considered as “kitsch”, the contest refers more than of an ordinary song competition. …”
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Caricatures, Canards, and Guignols: Satirical Journalism in France from the French Revolution to Fifth Republic by Matthew Fraser

“…Three case studies are examined: the newspapers <i>Le Canard Enchaîné</i> and <i>Charlie Hebdo</i> and the satirical television program <i>Les Guignols de l’Info</i>. Today satire has found expression on online social networks in the form of memes, gifs, and videos. …”
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Design Squad seasons 1 and 2 : an engineering perspective by Powers, Benjamin G. (Benjamin George), 1980-

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WAJAH SANG LOKAL DI MEDIA: REPRESENTASI DAN NEGOSIASI LOKALITAS DALAM TAYANGAN OASIS METRO TV by , Christophorus Ade Desembris, , Dr. Hoddi Pudjo Santoso

“…Television program essentially accommodate showing social practices, which always produces a representation of social reality. …”

It is a Scary and Dangerous World: A Content Analysis of Xinwen Lianbo’s News Coverage of Foreign Affairs by Zedan Xu, Andrew M. Clark

“…The television program Xinwen Lianbo has been China’s flagship state-run newscast since 1978. …”
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Sentiment analysis and audience engagement in thehashtags #VcNoJL1 and #VcNoJL2 on Twitter (X): a casestudy of the TV Liberal newscast in Pará, Brazil by Alan Marcel Fernandes de Souza

“…This type of analysis constitutes an important monitoring tool not only for the television program, but also for public administration.…”
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Digital employment of education data in children's television programmes by Mohamed Akram Abdel Jalil

“…So that, the foregoing, the researcher has taken to delving into the folds of this title and its axes in a group of horizons and depth in its contents in terms of content and form; also, the exposure to the system of educational values in education and the age groups of children, as well as a review of the digital use of educational data in children's television programs and the method of technical treatment of them; the research aims to study the subject in its aspects, and from this point of view, the researcher formulated the research problem to launch his study with the following question; what are the technical and digital uses and treatments of education data in television production, and since it aims to reveal the employment of digital employment of educational data in children’s television programmes, the approach was adopted for descriptive (content analysis) being more appropriate to achieve the goals and reach the desired results, among which lies the plurality of contents and educational values in the children’s television program from the production of data that contribute to the establishment of education through digital software to produce an expressive, semantic and aesthetic level. …”
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DISSECTING THE GLOCALISATION OF CHINESE REALITY TV SHOWS by Oloo Daniel Ong'ong'a

“…The Chinese reality television programs have remained to be a staple of the television programming in their host nations despite encountering substantial hurdles related to cultural differences and technical advancement. …”
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Designing a Branding Model for a TV Talk Show with an Emphasis on Ethical & Social Factors by Amir Mohammadi, Ali Mohammad Mazidi Sharifabadi, Mohammad Soltanifar

“…Conclusion: Based on the model obtained from the present study, in order to brand a television program, it is very important to observe ethical components as a central category. …”
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Importations, transpositions, adaptation dans le feuilleton quotidien Plus belle la vie by Marine Legagneur

“…In this way, the series is the space of a true work of adaptation, and, as a composite, it transforms itself into a new and hybrid format, which is eminently televisual in the sense that it is conscious of its codes and writing procedures, and exploits them. A neo-television program, in the sense of Umberto Eco, that leaves a central place for the spectators and makes them full-fledged members of a new form of communication.…”
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Skins, de la série britannique à la série américaine : la reprise de la figure du jeune musulman by Florence Cabaret

“…If the series portrays a representation of the lifestyles of certain youth in the United Kingdom in the first decade of the 21st century, it also questions the choices of the individuals that make up the group of friends by the creators of this fictional television program. As such, in a mostly white group from the middle class, we find a young woman of afro-caribbean descent and a young man of indo-pakistani origin. …”
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THE ROLE OF “BELAJAR DARI RUMAH” EDUCATION PROGRAM BROADCASTED BY TVRI TO FOSTER STUDENTS’ LEARNING INTEREST AT GRADE VI SDN 02 NGETUK by Meila Noor Santi, Fina Fakhriyah, Lintang Kironoratri

“…Education television is a television program that specifically broadcasts educational programs with the aim to provide students the learning resources in order to assist students in obtaining knowledge and moral contents. …”
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Knowledge about donation of hematopoietic stem cells among registered volunteers of Shanghai Marrow Donor Program by Bao-song LIU, Gang ZHANG, Jun LÜ

“…The participant-reported main ways of acquiring knowledge on hematopoietic stem cell donation were internet media, television program, and on-site publicity campaign.ConclusionThe level of knowledge about hematopoietic stem cell donation is relatively low among registered donation volunteers, indicating that comprehensive and continuous supporting measures are needed to effective operation of the marrow donation program.…”
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PENERAPAN INSENTIF DI BAGIAN PROGRAMING DAN PRODUCTION DI GLOBAL TV by , Rosalin, , Gugup Kismono, MBA., Ph.D.

“…This is aimed to increase share, which is the performance measurement for a television program. Television stations sell television programs to advertisers. …”

Promoting cognitive health: a virtual group intervention for community-living older adults by Tamires Nicodemos Vasques, Maria Helena Morgani de Almeida, Rosé Colom Toldrá, Marina Picazzio Perez Batista

“…According to the tests, the intervention improved incidental, immediate, and delayed recall, as well as the perception of memory for “Remembering the name of the person they just met,” “Remembering the telephone number you use at least once a week,” “Remembering where they put an object,” “Remembering news from a magazine article or television program,” and “In general, how would you describe your memory now compared to when you were 40 years old.” …”
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<b>Montagem e remontagem na produção audiovisual de Guel Arraes</b> by Yvana Fechine

“…The present article discusses the issue and proposes that the way which Guel Arraes found to reach these results – in the “two-in-one” type, which “work” equally well as a television program and as a film – was what we can describe as editing (montage) in modules. …”
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