Showing 1 - 20 results of 60 for search '"The Act of Killing"', query time: 0.30s Refine Results
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    The Moral Order of the Act of Killing by Andrés Antillano, Chelina Sepúlveda

    Published 2021-09-01
    “…In this paper, we want to show how the act of killing, considered one of the crimes that offends collective morality to a greater degree, can nevertheless be considered a justified act of a moral nature by a group of subjects serving a sentence for murder. …”
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    Memory clash. On "The Act of Killing" by Paloma Checa

    Published 2016-08-01
    “…Es, también, el protagonista de The Act of Killing, un documental sobre algunos de los ingredientes que contribuyen a la formación de un relato parcial de la historia reciente promovido por los poderes públicos en la Indonesia contemporánea…”
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    The Act of Killing and the Look of Silence: A critical reflection by Sutopo, Oki Rahadianto

    Published 2017
    “…These notes from the field explore the author's reflections on contemporary debates around the 1965 Indonesian mass killings, using two documentary films, The Act of Killing and The Look of Silence, as an entry point. …”
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    The act of Killing y The look of silence – Brutality as a metaphor by Alba Giménez

    Published 2015-12-01
    “…The act of killing and the more recent The look of silence, by the young director Joshua Oppenheimer take as a starting point the massive killing of thousands of presumed communists, most of them Chinese people, intellectuals or just opponents to the military regime imposed in Indonesia back in 1965. …”
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    Using Bourdieu to understand perpetrators in The Act of Killing and The Look of Silence by Sutopo, Oki Rahadianto

    Published 2020
    “…Using Joshua Oppenheimer’s documentary films about mass killings in Indonesia–The Act of Killing (2012) and The Look of Silence (2014)–as an entry point, this article explores how perpetrators remember the past and how it is interpreted by them in the present in relation to this particular socio-historical context using a Bourdieusian approach. …”
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    The act of Killing y The look of silence – La Barbarie como metáfora by Alba Giménez

    Published 2015-12-01
    “…The Act of Killing y la más reciente The look of silence, del joven director holandés Joshua Oppenheimer, toman como punto de partida el asesinato de más de un millón de presuntos comunistas, muchos de ellos chinos, intelectuales o simplemente opositores al régimen militar que se instauró en Indonesia en 1965. …”
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    Memahami “Kebenaran” dalam The Act of Killing Melalui Gestur dan Fitur by Renta Vulkanita Hasan

    Published 2018-11-01
    “…Fitur merupakan elemen artistik yang secara signifikan menunjukkan identitas pelaku (aktor), tempat, waktu, dan hubungannya dengan peristiwa yang terjadi. Dalam The Act of Killing, kebenaran peristiwa dinarasikan melalui adegan performatif Anwar Congo yang sarat akan unsur gestur dan fitur. …”
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    The articulation of voices in two film projects about violence: The Act of Killing and Gzim Rewind by Lisbeth Frølunde, Mette Bjerregaard

    Published 2014-03-01
    “…Primarily, the analysis focuses on <em>The Act of Killing</em> and its reception by an Indonesian audience. …”
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    Genocide, paramilitary and victims in Indonesia. A review of the documentary film The Act of Killing (2012) by Sandro Alberto Díaz Boada

    Published 2017-03-01
    “…This paper centers around the Danish documentary film The act of killing (2012) made by two American filmmakers —Joshua Oppenheimer and Christine Cynn—, along with a third one, who does not disclose his/her identity appearing in the credits as Anonymous. …”
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    The articulation of voices in two film projects about violence: The Act of Killing and Gzim Rewind by Lisbeth Frølunde, Mette Bjerregaard

    Published 2014-06-01
    “…Primarily, the analysis focuses on The Act of Killing and its reception by an Indonesian audience. …”
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    “They Always Kill With Wire”: Indonesian Adaptations of American Cinema in The Act of Killing (Dir. Joshua Oppenheimer, 2012) by Mihaela Precup

    Published 2022-02-01
    “…From this perspective, the act of killing is transformed—in the perpetrator’s view—into a performative tribute to a specific segment of American cinematic culture. …”
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