Panzerkreuzer Potemkin & Oktjabr’ / Battleship Potemkin & October by Eloísa Zamorano

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La somiglianza per nebbia, o il risonatore psichico dell’«immagine-Milieu» by Georges Didi-Huberman

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1916 and Other Risings: John Ford’s 'The Plough and the Stars' (1936) by Charles Barr

“…The film has a clear relation to other inter-war films about historic Revolutions — Russian (Battleship Potemkin, USSR 1925), French (A Tale of Two Cities, US 1935) and American (Ford’s own Drums Along the Mohawk US 1939) — and can be viewed, in retrospect, as a pivotal film within Ford’s career, inspiring him to a fuller and more consistent engagement with Irish themes and with American nation-building narratives, and the interaction between the two.…”
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SOVIET FAMILY AS DEPICTED ON SCREENS IN 1920S – AUTHENTIC OR NOT? by E. V. Zhbankova

“…This movie was known as a “Battleship Potemkin” in everyday life movie genre. In 2018, in turn, it was a 20-year anniversary of the movie “Retro for three”, a remake of “The Third Meshanskaya” by P. …”
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The bright path to the demographic deadlock: the leadership of the CPSU Soviet cinematography / «Светлый путь» в демографический тупик: о руководстве КПСС советским кинематографом... by Shchebrova Svetlana Yakovlevna / Щеброва Светлана Яковлевна

“…The 1920s were a time of searching for stories corresponding to the revolutionary time, When classical paintings of socialist realism ("Strike" and "Battleship Potemkin") were created. Since the Soviet rolled films about the revolution and its heroes were not in demand, in the 1930s the search for plots and images of Soviet cinematography were continued. …”
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