Providing Space to the Marginalized: Bertolt Brecht’s Reception of John Gay’s The Beggar’s Opera by Isti Haryati

“…The data sources in this study are the text of Brecht’s play entitled Die Drei Groschenoper and the text of Gay’s play The Beggar's Opera. This research is based on the theory of Reception Aesthetics by Hans Robert Jauss. …”
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A star is born : Kitty Clive and female representation in eighteenth-century English musical theatre by Joncus, B

“…Chapter 5 investigates Mrs Clive's management of her own image in her 1736 battle to retain the lead role in <em>The Beggar's Opera</em>. After her triumph, the duties of her new writer James Miller were simply to reflect audience perception of her.…”