The comedy of errors / by Shakespeare, William, 1564-1616, Dorsch, T. S., King, Ros

A Context-Based Investigation of the ‘Jewel’ Crux in The Comedy of Errors by De Scarpis, Valerio

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Hydroxychloroquine for COVID19: The curtains close on a comedy of errors by Ilan S Schwartz, David R Boulware, Todd C Lee

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'Mark how he trembles in his ecstasy': space, place, and self in The Comedy of Errors by Edwards, J

Terms of engagement: keywords of identity, race, and human mobility in early modern England by Das, N

“…This essay focuses on current research on keywords of identity and difference in early modern England, and draws attention particularly to the etymological oscillation of guest and host, stranger-friend and stranger-enemy, in Indian incarnations of The Comedy of Errors. It argues that the preoccupations of the original play with the unsettling, uneasy reciprocity of guests and hosts, strangers and friends, becomes an internal, structural trope for Indian negotiations with the Shakespearean canon itself.…”

An Adaptation of «Errors»: La Ilustre Fregona by Gabriel Ibáñez and Antonio Cotanda by Victoria Aranda Arribas

“…Furthermore, special attention will be paid to the influence of the «comedia de enredo» (comedy of errors) in the last episode of this audiovisual rewrite.…”
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In a word: the importance of Shakespeare's subtexts by Cederstrom, Lorelei

“…This study explores the nature-nothing subtext in King Lear, the seeing-seeming disparity in Othello, the repeated references to chains and gold in A Comedy of Errors, the explorations of fortune in As You Like It, the persistent emphasis on words and voices in Coriolanus, and the subtextual significance of wonder and rebellion in The Tempest. …”
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Identity in Shakespeare by Halio, Jay L.

“…This paper surveys the problems of identity in a number of Shakespeare’s plays, such as The Taming of the Shrew, The Comedy of Errors, As You Like It, Twelfth Night, The Merchant of Venice, Romeo and Juliet, Hamlet, and Othello. …”
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Die keusche Penelope und der zornige Odysseus : Kursieren einer tragikomischen Opernhandlung zwischen Wien und Norditalien by Livio Marcaletti

“…Of particular interest is their tragicomedy Penelope (1724), which depicts Ulysses as a ridiculous hero guided by his furious jealousy through a comedy of errors where mistaken identity and buffo servants play a relevant role. …”
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« Such sweet thunder (4.1.117) : Le trouble dans A Midsummer Night’s Dream » by François Laroque

“…At the end, natural rules are reinstated and the seasonal rhythms have been set right and the three weddings are now likely to prove fruitful and prosperous. Thus this comedy of errors finally exorcizes its tragic elements for the sake of some sort of fairy tale ending……”
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The Queen’s Favorite Unknown Dramatist: Were There Other Royal Plays By Shakespeare? A Research Inquiry by Katherine Chiljan

“…The most obvious example is royal performances of The History of Error in 1577 and 1583, and Shakespeare’s The Comedy of Errors. King James, Elizabeth’s successor, saw at least 17 Shakespeare plays. …”
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Shakespeare for Students : Critical Interpretations of Shakespeare's Plays and Poetry / by Hacht, Anne Marie, author 651893, Gale Group (Online service) 651863

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Beautiful Scars: Jewels in English Renaissance Drama by Lisa Hopkins

“…One of the rare instances of evoking both senses of carbuncle comes in The Comedy of Errors, where Dromio of Syracuse, having defined the kitchen-maid Nell as “spherical, like a globe”, says that “America, the Indies” are located in her nose, because it is ‘all o’er embellished with rubies, carbuncles, sapphires, declining their rich aspect to the hot breath of Spain’ (III.ii.120, 140-3). …”
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Catholic semiotics in Shakespearean drama by Woods, GM

“…The linguistic focus of Chapters 1 and 2 encompasses the dramatic implications of Catholic metaphors and oxymoron in Romeo and Juliet and The Comedy of Errors, and the links between verbal and theological slippage created by the use of topical onomastics in Love’s Labour’s Lost. …”

Intertextuality of the Personosphere as a Factor of Meta-Genre (Clifford Simak “Shakespeare’s Planet”) by Dan Paranyuk, Alyona Tychinina

“…Besides, the personosphere of a fantasy novel with several fictional narratives also includes the classic’s texts, such as “Hamlet”, “Twelfth Night”, “The End Praises the End”, “The Comedy of Errors”, “King Lear”, “Macbeth”, “Othello”, “Pericles”, “The Taming of the Shrew”, “Richard III”, and “Titus Andronicus”. …”
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Tragedy of Errors- An Analysis of Human Factor in Medical Errors by Manika Agarwal, Sharat Agarwal

“…William Shakespeare wrote a play “Comedy of error”, but this is about medical error which may often result in tragic outcome. …”
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