Showing 1 - 20 results of 1,010 for search '"The Frighteners"', query time: 0.17s Refine Results
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    What Makes Spiders Frightening and Disgusting to People? by Martina Zvaríková, Pavol Prokop, Pavol Prokop, Milan Zvarík, Zuzana Ježová, William Medina-Jerez, Peter Fedor

    Published 2021-07-01
    “…Using the forced-choice paradigm, we investigated which cues humans perceive as frightening and disgusting in spiders, one of the most unpleasant animals in the world. …”
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    The Reality of Fear: Preaching in a Frightened World by Traugott Roser

    Published 2019-11-01
    “…As much as preachers are ready to face their personal fears, they abstain from frightening others. At best, preaching is the art of supporting people to live life liberated by the gospel, speaking up against those who create an atmosphere of fear. …”
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    Editorial - The new: restless and frightening, it is the most seductive and difficult path by CARLOS ALBERTO FIGUEIREDO DA SILVA

    Published 2021-04-01
    “…The new: restless and frightening, it is the most seductive and difficult path. …”
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    Does time really slow down during a frightening event? by Chess Stetson, Matthew P Fiesta, David M Eagleman

    Published 2007-12-01
    “…The duration dilation during a frightening event, and the lack of concomitant increase in temporal resolution, indicate that subjective time is not a single entity that speeds or slows, but instead is composed of separable subcomponents. …”
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    The Pain and Irony of Death in Julian Barnes's Memoirs Nothing to Be Frightened Of and Levels of Life by Maricel Oró-Piqueras

    Published 2021-04-01
    “…Despite the fact that death – as a prime concern expressed through his characters’ discussions, particularly when they are in their old age – has been present in most of Barnes fictional works, the topic becomes centre-stage in the two memoirs that he has published, namely, Nothing to Be Frightened Of (2008) and Levels of Life (2013). In his memoirs, Barnes connects his personal experience with the works of philosophers and writers and with the experiences of those around him with the aim of trying to discern how he himself and, by extension, his own contemporaries and Western society have dealt with death. …”
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