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Full Monty: transculturación, mediación y comunicación
Published 2002-12-01Subjects: Get full text
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La estructura social de Full Monty
Published 2004-01-01“…Full Monty forma parte de un tipo de cine alejado de la estética y las propuestas comerciales de Hollywood, que deja ver tras historias en apariencia simples unas problemáticas sociales, políticas y económicas de personas o colectivos inscritos en una sociedad en particular. …”
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MASCULINITY IN QUESTION IN TIME OF UNEMPLOYMENT IN WENDY HOLDEN'S THE FULL MONTY
Published 2003-01-01“…This is the condition that befalls the three male characters, Gaz, Dave and Gerald, in The Full Monty. They feel that they have lost their masculinity when they lose their works thus, they hold on to ways that they think can preserve their sense of worth.…”
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Kenneth Loach’s Riff-Raff, Between the British Documentary Tradition and the Working-Class Cinema
Published 2017-02-01“…Riff-Raff (1991) is analysed as a functional hinge between the British documentary movement of the twenties, the free cinema of the fifties and the present current of social films such as Trainspotting (1996), Brassed off (1996) or The Full Monty (1997). Kenneth Loach seems to have incorporated the theoretical doctrine of the British documentary tradition in most of his films, especially in Riff-Raff, as we can see in his way of dealing with scripts and actors. …”
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