Leoš Janáček's interpretation and misinterpretation of Dostoyevsky's The House of the Dead by Danuta Hudecová, Petr Kalina

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Deciphering Flavio Pereira’s Reading of Dostoevsky after the The House of the Dead by Nadia Nedialkova, Bojin Nedialkov, Flávio Santos Pereira

“… This article provides a “dechiffrage” of the form, style, compositional techniques, and referential musical meanings employed by the Brazilian composer and pedagogue Flavio Santos Pereira in the composition of a seven-part suite entitled Reading of Dostoevsky, written in 2016 and based on the book The House of the Dead by Fyodor Dostoevsky. This chamber work is a premonitory work about the present pandemic time, which tests not only the human existential instincts and fears but also the spiritual, philosophical, and moral values upon which a mature and complete personality is built. …”
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THE CAUCASIAN MOTIF IN FYODOR DOSTOYEVSKY’S “HOUSE OF THE DEAD”: IN THE LIGHT OF THE POLEMIC WITH LERMONTOV by Xuyang Mi

“…This article is devoted to the Caucasian motif in Fyodor Dostoyevsky’s “House of the Dead”. This analysis notes its intertextual connection with Lermontov’s novel “A Hero of Our Time” and clarifies the multifaceted tasks of the hidden polemic with him: overcoming Rousseauian antithesis of “nature - civilization” and the cult of romantic passionate love. …”
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Why did Act 1 of From the House of the Dead end with the Skuratov theme? by John Tyrrell

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The House of the Dead. The San Cataldo Cemetery in Modena, by Aldo Rossi and Gianni Braghieri by Gilda Giancipoli

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Schismatics in F. M. Dosto-yevsky’s The House of the Dead: The Interaction of an Artistic Text with Political Essays by Xuyang Mi

“…This article is devoted to the motif of Schism in Fyodor Dostoyevsky’s The House of the Dead. The analysis marks the interaction of The House… with the essays of the 1860s. …”
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The House of the Dead; Débora Diniz - DOI: 10.3395/reciis.v3i2.263en by Maria Andrade Fontes

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Small Houses of the Dead: A Model of Collective Funerary Activity in the Chalcolithic Tombs of Southwestern Iberia. La Orden-Seminario Site (Huelva, Spain) by Linares-Catela José Antonio, Vera-Rodríguez Juan Carlos

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Pratiques funéraires dans le mégalithisme sénégambien : décryptages et révisions by Jean-Paul Cros, Luc Laporte, Alain Gallay

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«ЗАПИСКИ ИЗ МЁРТВОГО ДОМА» Ф.М. ДОСТОЕВСКОГО В ПЕРЕВОДАХ НА КИТАЙСКИЙ ЯЗЫК ГЭН ЦЗИЧЖИ И СУНЬ ХЭМЯО by Рудых А.В., Мехтиев В.Г.

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The Word Work in F.M. Dostoevsky’s Texts: Lexicographical Notes by Marina M. Korobova

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Dostoevsky. The Question of the folk by Vladimir A. Victorovich

“…The plot of the Notes from theHouse of the Dead consists of gradual acquaintance with the Russian people, an approachto it, that eventually transforms the subject. …”
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How the Inmates’ Polyphonic Play Performs the “All Creation” Icon by Riley M. M. Ossorgin

“…This article interprets the Marian icon “In Thee All Creation Rejoices” as the theological, liturgical, and visual context for the prisoners' play scene in Dostoevsky's Notes from the House of the Dead. Both the “All Creation” icon and the John of Damascus Hymn that it illustrates, feature prominently in St. …”
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Genre in Janáček’s operas by John Tyrrell

“…Among the mature operas, Jenůfa, The Cunning Little Vixen, The Makropulos Affair and From the House of the Dead lack tragic inevitability and exhibit other genre characteristics, such as those of tragicomedy (in The Vixen and Makropulos).…”
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Chalámov e Dostoiévski: uma perspectiva sobre Recordações da Casa dos Mortos by Andrea Zeppini Menezes da Silva

“…About this period, he wrote Memoirs from the House of the Dead. Shalamov spent seventeen years in Stalinist labor camps, after that,wroteKolyma Tales, his main work.…”
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The Function of Introductions in Dostoevsky’s Work (About L. Bagby’s Book) by Nikolay N. Podosokorsky

“…Bagby identifies ten Dostoevsky’s texts (The Village of Stepanchikovo and Its Inhabitants, Notes from the House of the Dead, Winter Notes on Summer Impressions, Notes from the Underground, “Bobok”, The Devils, “The Beggar Boy at Christ’s Christmas Tree”, “The Peasant Marey”, “A Gentle Creature”, and The Brothers Karamazov) and attempts to analyze the introductions using Gérard Genette’s typology. …”
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Le citazioni di Dostoevskij negli studi danteschi del simbolismo russo: il caso di Dmitrij Merežkovskij by Kristina Landa

“…It seems significant that Merežkovsky does not focus on the traditional comparison between Commedia and Memoirs from a House of the Dead, but turns to other works, images and/or concepts. …”
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„Dom zmarłych” z Chodlika, gm. Karczmiska, woj. lubelskie. Przyczynek do studiów nad grobami typu Alt Käbelich by Łukasz Miechowicz, Joanna Piątkowska-Małecka, Łukasz Maurycy Stanaszek, Jakub Stępnik

“…The Chodlik discovery is a ontribution to the research into the occurrence of the Alt Käbelich type of graves and the concept of the so-called “house of the dead” in the Western Slavic Dominion…”
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THE CONCEPT OF CATHARSIS IN FYODOR DOSTOEVSKY'S WORKS: FROM THE NEWSPAPER POLEMICS OF 1873 by Olga Vladimirovna Zakharova

“…He expressed this idea in his prose beginning with Notes from the House of the Dead, but it was first stated directly in the third chapter (entitled Environment) of A Writer’s Diary of 1873. …”
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The Bell Beaker multiple burial pit of La Atalayuela (La Rioja, Spain): stable isotope insights into diet, identity and mortuary practices in Chalcolithic Iberia by Fernández-Crespo, T, Ordoño, J, Barandiarán, I, Teresa Andrés, M, Schulting, R

“…Thus, there is a significant differentiation in δ13C values between burial context base (the earliest funerary use identified, interpreted as a ‘house of the dead’) and the following context a2 (interpreted as a mass grave), supporting the existence of potentially distinct funerary uses. …”