Editorial. To pay homage to Paris attack victims through the writings of Cardinals Poma and Biffi / Éditorial. En hommage aux victimes des massacres de Paris par les écrits des Cardinaux Poma et Biffi by Balloni Augusto

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Senso e sensi: per un teatro politico emozionale postbrechtiano by Paola Ranzini

“…Two stagings of Christopher Marlowe’s The Massacre at Paris are analysed: the first directed by Patrice Chéreau at the Théâtre National Populaire in 1972 (Massacre à Paris) and the second by Ricci/Forte staged in 2016 (La strage di Parigi). …”
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Marlowe and monarchy by May, S

“…Chapter Four proposes that Marlowe’s final play, <em>The Massacre at Paris</em>, employed arguments drawn from Reason of State to influence decisions at the 1593 Parliament. …”

« ‘A flat dichotomist’ : Critique marlovienne de la méthode ramiste » by Laetitia Sansonetti

“…Bartholomew events, The Massacre at Paris (1593). In this play, but also in other dramatic works such as Doctor Faustus and The Jew of Malta, Marlowe stages the ambiguities attached to “Ramus”, who was seen by some as a martyr for method, while others deemed him to be an arrogant upstart. …”
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Kurjus ja tema teisik / Evil and its Double by Anne-Marie Le Baillif

“…The second is a muted figure in Wolfgang Mitterer’s opera Massacre (2003) witch is based on Marlowe tragedy Massacre à Paris (1596). She is mixing the old age and the new one and show explicitly the concordance amongst stages on which the character of the 16th century are performing and Iraqi’s war video.  …”
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