The Mill on the Floss / by Eliot, George 1819-1880, author 294283

Culture and gender in George Eliot's The Mill on the Floss by Ali Güneş, Catherine Akça

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The child in the fog : rethinking childhood in bleak house and the mill on the floss. by Thiong, Lionel J.W.

“…With reference to Charles Dickens’ Bleak House and George Eliot’s The Mill on the Floss, this study endeavours to offer a fresh perspective on childhood. …”
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Music as the Language of Love and Self-Revelation in George Eliot’s "The Mill on the Floss" by Beatriz Aguirre

“… The author of this article shows the double function, music has in Eliot's 'The Mill on the Floss': a language of love, passion and desperation, and a gateway to the world of imagination and pleasure. …”
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Aggression or Regression: A Comparative Study of Heroines in The Mill on the Floss and Pride and Prejudice by Pyeaam Abbasi

“…George Eliot’s The Mill on the Floss (1860) and Jane Austen’s Pride and Prejudice (1833) are two excellent examples of intellectual heroines standing against social expectations. …”
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Schopenhauer’s Pholosophy Of Pessimism On George Eliot’s Characterization In Silas Marner And The Mill On The Floss by Khelejani, Mostafa Farshbaf

“…Maggie Tulliver, a central character in The Mill on the Floss, made her every effort to satisfy her inner strong need to be praised and loved. …”
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(Re)Viewing Maggie and Tess through the Lens of Standpoint Theory by Sardar M Anwaruddin

“…Literary critics admire George Eliot's touching portrayal of Maggie Tulliver in The Mill on the Floss. Many readers prefer to read Maggie's character as a reworking of Eliot's own life. …”
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The treatment of the recent past in nineteenth-century fiction, with particular reference to George Eliot by Wilkes, J, Wilkes, Joanne Claire

“…Its main focus is on the fiction of George Eliot set in the recent past: <em>Scenes of Clerical Life</em> (1857-58), <em>Adam Bede</em> (1859), <em>The Mill on the Floss</em> (1860), <em>Silas Marner</em> (1861), <em>Felix Holt, The Radical</em> (1866), and <em>Middlemarch</em> (1871-72). …”