Budynek Operalni Saskiej w Warszawie by Barbara Król

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Review of: "Speculative Enterprise: Public Theaters and Financial Markets in London, 1688–1763 By Mattie Burkert.... by Watkins, S

Stirring Tongues and Fumish Words: Representing Jewishness in Elizabeth Cary’s The Tragedy of Mariam by Becky S. Friedman

“…It argues that Cary’s closet drama revises Jewish dramatic representation for an elite literary audience, employing incendiary discourse to (1) relay the enduring interconnections between censure and Jewishness stemming from the medieval English imagination, (2) adapt popular representational practices from the public theater for the context of private reading and performance, and (3) contribute to the gendered production of Jewish difference in English Renaissance playwriting. …”
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Built space by Dyer, Daniel Joseph

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Les cinémas indépendants comme espaces de vie sociale, culturelle et citoyenne en Seine-Saint-Denis by Charles Marques

“…This article is about, based on interviews, the public theaters, owned by the city or an association depending on the city fundings, and the cultural policies initiated in Seine-Saint-Denis to transform the projection into a social, cultural and citizen activity.…”
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The Puppet and the Puppet-Master in Ancient Greece: Fragments of an Art Form by Mali Annika Skotheim

“…Puppeteers performed in a variety of contexts, which included processions and public theaters. During religious festivals, they were hired to supplement competitions in drama and music. …”
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NEW ACT ON THEATERS DE LEGE LATA AND DE LEGE FERENDA by Dragan Zlatović

“…The paper analyzes the new legislative framework regulating theater policy and theater activities in the Republic of Croatia, and presents the novelties and the most important elements of the establishment, status, organization, management and financing of theaters, as well as the new regulation of the labor-legal position of theater artists and other theater workers in theaters, especially public theaters. The aim of the paper is to point out the shortcomings in the new theater regulations that can be reflected in the theater business practice, as well as to indicate the directions of possible changes and additions to the currently valid solutions that would contribute to the clarity and completeness of the legal regulation of theater activity, legal certainty and the clear provision of optimal possibilities for the realization of theatrical art projects. …”
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La educación del poder a través del teatro: El hijo del águila, de Luis Vélez de Guevara by Javier J. González Martínez

“…KEYWORDS: Luis Vélez de Guevara, El hijo del águila, publicity, theater pedagogy, monarchy.…”
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